Title
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God as architect, wielding the golden compasses, by William Blake (left) and Jesus as Geometer in a 13th century medieval illuminated manuscript of unknown authorship. |
For some time during pre-publication of the novel, the prospective trilogy was known in the U.K. as The Golden Compasses, an allusion to God's poetic delineation of the world. The term is from a line in Milton's Paradise Lost, where it denotes the drafting compass God used to establish and set a circular boundary of all creation:
Then staid the fervid wheels, and in his hand
He took the golden compasses, prepared
In God's eternal store, to circumscribe
This universe, and all created things:
One foot he centered, and the other turned
Round through the vast profundity obscure
Meanwhile in the U.S., publisher Knopf had been calling the first book The Golden Compass (singular), which it mistakenly understood as a reference to Lyra's alethiometer (depicted on the front cover shown here), understandable because the device superficially resembles a navigational compass. By the time Pullman had replaced The Golden Compasses with His Dark Materials as the name of the trilogy, the US publisher had become so attached to its mistaken title that it insisted on publishing the first book as The Golden Compass rather than as Northern Lights, the title used in the UK and Australia.
Read more about this topic: Northern Lights (novel)
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