Northern Ireland - Culture

Culture

Main article: Culture of Northern Ireland See also: Culture of Ulster, Culture of Ireland, and Culture of the United Kingdom

With its improved international reputation, Northern Ireland has recently witnessed rising numbers of tourists. Attractions include cultural festivals, musical and artistic traditions, countryside and geographical sites of interest, public houses, welcoming hospitality and sports (especially golf and fishing). Since 1987 public houses have been allowed to open on Sundays, despite some opposition.

The Ulster Cycle is a large body of prose and verse centring around the traditional heroes of the Ulaid in what is now eastern Ulster. This is one of the four major cycles of Irish Mythology. The cycle centres around the reign of Conchobar mac Nessa, who is said to have been king of Ulster around the time of Christ. He ruled from Emain Macha (now Navan Fort near Armagh), and had a fierce rivalry with queen Medb and king Ailill of Connacht and their ally, Fergus mac Róich, former king of Ulster. The foremost hero of the cycle is Conchobar's nephew Cúchulainn.

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Famous quotes containing the word culture:

    “Whatever offices of life are performed by women of culture and refinement are thenceforth elevated; they cease to be mere servile toils, and become expressions of the ideas of superior beings.”
    —Harriet Beecher Stowe (1811–1896)

    “I am writing to resist the view that Europe and civilization are going to Hell. If I am being “crucified for an idea”Mthat is, the coherent idea around which my muddles accumulated—it is probably the idea that European culture ought to survive, that the best qualities of it ought to survive along with whatever cultures, in whatever universality. Against the propaganda of terror and the propaganda of luxury, have you a nice simple answer?”
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    “A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
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