Early Life
McLaren was born in Stirling, Scotland and studied set design at the Glasgow School of Art. His early experiments with film and animation included actually scratching and painting the film stock itself, as he did not have ready access to a camera. His earliest extant film, Seven Till Five (1933), a "day in the life of an art school" was influenced by Eisenstein and displays a strongly formalist attitude.
McLaren's next film, Camera Makes Whoopee (1935), was a more elaborate take on the themes explored in Seven Till Five, inspired by his acquisition of a Ciné-Kodak camera, which enabled him to execute a number of 'trick' shots. McLaren used pixilation effects, superimpositions and animation not only to display the staging of an art school ball, but also to tap into the aesthetic sensations supposedly produced by this event.
His two early films won prizes at the Scottish Amateur Film Festival, where fellow Scot and future NFB founder John Grierson was a judge.
Read more about this topic: Norman McLaren
Famous quotes containing the words early life, early and/or life:
“... goodness is of a modest nature, easily discouraged, and when much elbowed in early life by unabashed vices, is apt to retire into extreme privacy, so that it is more easily believed in by those who construct a selfish old gentleman theoretically, than by those who form the narrower judgments based on his personal acquaintance.”
—George Eliot [Mary Ann (or Marian)
“I have always had something to live besides a personal life. And I suspected very early that to live merely in an experience of, in an expression of, in a positive delight in the human cliches could be no business of mine.”
—Margaret Anderson (1886–1973)
“It is the responsibility of every adult—especially parents, educators and religious leaders—to make sure that children hear what we have learned from the lessons of life and to hear over and over that we love them and they are not alone.”
—Marian Wright Edelman (20th century)