Works
His work consisted primarily of small oil panels in the plein air style, something he had picked up from the French Impressionists, like Manet. He was also fascinated by Japanese prints and admired the work of the American painter James McNeill Whistler.
One of his best and most famous works is his 1889 painting The Rain, it raineth every day of the Penzance promenade. The title of the work comes from Shakespeare's King Lear and Twelfth Night. "The composition of this painting demonstrates Garstin’s admiration for Japanese art," says Penlee House.
A partial list of his works includes:
- Crosbie Garstin as a Baby, 1887, oil on canvas, Penlee House, loan from Newlyn Art Gallery
- In a Cottage by the Sea, 1887, oil on canvas, Penlee House, loan from Newlyn Art Gallery
- The Drinking Pool, 1887, watercolour
- The Rain, it raineth every day, 1889, oil on canvas
- A View of Newlyn from the North Pier, c. 1892, oil on canvas, Penlee House, loan from Newlyn Art Gallery
- Houses and Boats, oil on panel, Penlee House, loan from Newlyn Art Gallery
- Market Jew Street, oil on panel, Penlee House, loan from Newlyn Art Gallery
- Saturday (an Interior View of Garstin's Home), oil on panel, Penlee House, loan from Newlyn Art Gallery
Read more about this topic: Norman Garstin
Famous quotes containing the word works:
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (1689–1761)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (1856–1950)