Partial Filmography
| Year | Film | Role | Preservation status and locations | Notes |
|---|---|---|---|---|
| 1915 | Captivating Mary Carstairs | Mary Carstairs | Lost | |
| The Battle Cry of Peace | Virginia Vandergriff | Incomplete: George Eastman House (fragments), Cinemateket Svenska Filminstitutet (one reel) | ||
| The Crown Prince's Double | Shirley Rives | Lost | ||
| 1916 | The Missing Links | Myra Holburn | Lost | |
| Martha's Vindication | Martha | Lost | ||
| The Children in the House | Cora | Incomplete: George Eastman House (three of five reels), UCLA Film & Television Archives | ||
| Going Straight | Grace Remington | George Eastman House, National Film & Television Museum/London | ||
| The Devil's Needle | Renee | Library of Congress (1923 reissue) | ||
| The Social Secretary | Mayme | Library of Congress (incomplete), George Eastman House, National Film & Television Museum/London, Cinemateca Modern Art Museum/Rio de Janeiro, UCLA Film & Television Archive, Blackhawk Films | ||
| Fifty-Fifty | Naomi | George Eastman House, Finnish Film Archive | ||
| 1917 | Panthea | Panthea Romoff | Lost | First film for Norma Talmadge Film Corporation Producer |
| The Law of Compensation | Flora Graham/Ruth Graham | Library of Congress, Museum of Modern Art | ||
| Poppy | Poppy Destinn | Library of Congress (abridged version) | ||
| The Moth | Lucy Gillam | Incomplete: Library of Congress | ||
| The Secret of the Storm Country | Tess Skinner | Lost | ||
| 1918 | The Ghosts of Yesterday | Ruth Graham/Jeanne La Fleur | Incomplete: Library of Congress (reels 1-4 and some feet of reel 6) | |
| By Right of Purchase | Margot Hughes | Incomplete: Library of Congress (missing reel 6) | ||
| De Luxe Annie | Julie Kendal (De Luxe Annie II) | Library of Congress | Producer | |
| The Safety Curtain | Puck | Nederlands Filmmuseum, UCLA | ||
| Her Only Way | Lucille Westbrook | Lost | ||
| The Forbidden City | San San/Toy | Library of Congress | ||
| 1919 | The Heart of Wetona | Wetona | Library of Congress, George Eastman, Cinema Museum/London, UCLA | |
| The New Moon | Princess Marie Pavlovna | Library of Congress | ||
| The Probation Wife | Josephine Mowbray | Incomplete: Library of Congress, George Eastman | Producer | |
| Dust of Desire | Cameo appearance | |||
| The Way of a Woman | Nancy Lee | Incomplete: National Film & Television Archive London (negative) | ||
| The Isle of Conquest | Ethel Harmon | Lost | Producer | |
| 1920 | She Loves and Lies | Marie Callender, aka Marie Max and June Dayne | Incomplete: Library of Congress | |
| A Daughter of Two Worlds | Jennie Malone | Library of Congress, George Eastman House | ||
| The Woman Gives | Inga Sonderson | Library of Congress | ||
| Yes or No | Margaret Vane/Minnie Berry | Library of Congress | Producer | |
| The Branded Woman | Ruth Sawyer | Library of Congress | Producer | |
| 1921 | Passion Flower | Acacia, The Passion Flower | Library of Congress | Producer |
| The Sign on the Door | Ann Hunniwell/Mrs. 'Lafe' Regan | Library of Congress | Producer | |
| The Wonderful Thing | Jacqueline Laurentine Boggs | Library of Congress | Producer | |
| Love's Redemption | Jennie Dobson (aka Ginger) | Lost | Producer | |
| 1922 | Smilin' Through | Kathleen/Moonyeen | Library of Congress, Nederlands Filmmuseum | Producer |
| The Eternal Flame | Duchesse de Langeais | Incomplete: Library of Congress (reels 1-2, 4-7) | Producer | |
| 1923 | The Voice from the Minaret | Lady Adrienne Carlyle | Lost | Producer |
| Within the Law | Mary Turner | Library of Congress, Gosfilmofond Moscow (unconfirmed) | Producer | |
| Ashes of Vengeance | Yolande de Breux | Library of Congress, George Eastman House | Producer | |
| The Song of Love | Noorma-hal | Library of Congress, Czech Film Archive | Producer | |
| 1924 | Secrets | Mary Carlton | Library of Congress, Museum of Modern Art, Cinematheque Royale Brussels, Gosfilmofond (unconfirmed), UCLA (unconfirmed) | Producer |
| The Only Woman | Helen Brinsley | Library of Congress | Producer | |
| 1925 | The Lady | Polly Pearl | Incomplete: Library of Congress (reels 1, 3-8) | Producer |
| Graustark | Princess Yetive | Incomplete: Library of Congress (reels 2, 4-7) | Producer | |
| 1926 | Kiki | Kiki | Extant, comprising prints from Library of Congress, Museum of Modern Art, Czech Film Archive and UCLA Film & Television Archive | Producer |
| Camille | Marguerite Gautier (Camille) | Incomplete: Douris Corporation | Producer | |
| 1927 | The Dove | Dolores | Incomplete: Library of Congress, Cinemateket-Svenska Filminstitutet, Douris Corporation | Producer |
| 1928 | The Woman Disputed | Mary Ann Wagner | Library of Congress | Producer |
| 1929 | New York Nights | Jill Deverne | Incomplete: Library of Congress, George Eastman House | Producer |
| 1930 | Du Barry, Woman of Passion | Madame Du Barry | Library of Congress |
Read more about this topic: Norma Talmadge
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“The one-eyed man will be King in the country of the blind only if he arrives there in full possession of his partial faculties—that is, providing he is perfectly aware of the precise nature of sight and does not confuse it with second sight ... nor with madness.”
—Angela Carter (1940–1992)
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