Biography
Born in Tochigi, Japan, Noriko Matsueda began creating music at an early age. She received a scholarship in music at the age of three and went on to study the piano and electronic organ. Matsueda took various composition and performance courses at the Tokyo Conservatoire Shobi, where she also met long-term collaborator Takahito Eguchi. She joined Square in 1994, where her first assignment was to score the 1995 title Front Mission alongside Yoko Shimomura. She subsequently contributed the track "Boss Battle 1" to Chrono Trigger, arranged by Nobuo Uematsu. Matsueda's first solo work was Bahamut Lagoon, which also represented her first collaboration with Eguchi, who arranged and orchestrated "Theme of Bahamut Lagoon ~ Opening" for the bonus disc of its original soundtrack. In 1996, she created the composition "Tower Block" for the multi-composer game Tobal No. 1. The following year, she created the soundtrack to Front Mission 2.
In 1999, Matsueda and Eguchi made their first major collaboration by scoring the role-playing racing game Racing Lagoon, with synthesizer programmer Ryo Yamazaki providing three tracks. Matsueda was responsible for all the music except the battle, opening, and ending themes. They collaborated again on the soundtrack to the PlayStation 2 title The Bouncer in 2000, whereas the two took a more equal share of the music. A large amount of the compositions produced was not used in the game and there were also many post-production demands. Afterward, Matsueda created 25 pieces of background music for Square's PlayOnline viewer used for Final Fantasy XI and Tetra Master.
She reunited with Eguchi to create the soundtrack to Final Fantasy X-2 in 2003, with Matsueda contributing most of the setting themes. Having replaced Final Fantasy's regular series composer Nobuo Uematsu to create a work entirely different from the predecessor Final Fantasy X, their score has become one of the most criticized soundtracks in the series. However, despite the negative response and a low budget, it was commercially successful. The following year, she worked on Final Fantasy X-2's international version Final Fantasy X-2 International + Last Mission and provided three arrangements to the Final Fantasy X-2 Piano Collection album. The Piano Collections album was her last credited work, and she has since left Square Enix along with Eguchi.
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