None of The Above

None of the Above (NOTA), also known as "against all" or a "scratch" vote, is a ballot option in some jurisdictions or organizations, designed to allow the voter to indicate disapproval of all of the candidates in a voting system. It is based on the principle that consent requires the ability to withhold consent in an election, just as they can by voting no on ballot questions.

Entities that include "None of the Above" on ballots as standard procedure include Greece (λευκό, white, but unrelated to a political party of the similarly sounding name-however it is symbolic only), the U.S. state of Nevada (None of These Candidates), Ukraine (Проти всіх), Spain (voto en blanco), and Colombia (voto en blanco). Russia had such an option on its ballots (Против всех) until it was abolished in 2006. Bangladesh introduced this option (না ভোট) in 2008.

When None of the Above is listed on a ballot, there is the possibility of NOTA receiving a majority or plurality of the vote, and so "winning" the election. In such a case, a variety of formal procedures may be invoked, including having the office remain vacant, having the office filled by appointment, re-opening nominations or holding another election (in a body operating under parliamentary procedure), or it may have no effect whasoever, as in the state of Nevada, where the next highest total wins regardless.

Read more about None Of The Above:  Soviet Union, United States, Procedures That Function Like "none of The Above", Cultural References To "None of The Above"

Famous quotes containing the words none and/or the:

    I have led her home, my love, my only friend.
    There is none like her, none.
    And never yet so warmly ran my blood
    And sweetly, on and on
    Calming itself to the long-wished-for end,
    Full to the banks, close on the promised good.
    Alfred Tennyson (1809–1892)

    The difference between Pound and Whitman is not between the democrat who in deep distress could look hopefully toward the future and the fascist madly in love with the past. It is that between the woodsman and the woodcarver. It is that between the mystic harking back to his vision and the artist whose first allegiance is to his craft, and so to the reality it presents.
    Babette Deutsch (1895–1982)