Audio Systems
For the most part, audio systems both professional and domestic, have their components interconnected with low impedance outputs connected to high impedance inputs. These impedances are poorly defined and nominal impedances are not usually assigned for this kind of connection. The exact impedances make little difference to performance as long as the latter is many times larger than the former. This is a common interconnection scheme, not just for audio, but for electronic units in general which form part of a larger equipment or are only connected over a short distance. Where audio needs to be transmitted over large distances, which is often the case in broadcast engineering, considerations of matching and reflections dictate that a telecommunications standard is used, which would normally mean using 600 Ω nominal impedance (although other standards are sometimes encountered, such as sending at 75 Ω and receiving at 600 Ω which has bandwidth advantages). The nominal impedance of the transmission line and of the amplifiers and equalisers in the transmission chain will all be the same value.
Nominal impedance is used, however, to characterise the transducers of an audio system, such as its microphones and loudspeakers. It is important that these are connected to a circuit capable of dealing with impedances in the appropriate range and assigning a nominal impedance is a convenient way of quickly determining likely incompatibilities. Loudspeakers and microphones are dealt with in separate sections below.
Read more about this topic: Nominal Impedance
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