In The Novels
The character called the Nome King is originally named Roquat the Red. Later he takes the name Ruggedo, which Baum first used in a stage adaptation. Even after Ruggedo loses his throne, he continues to think of himself as king, and the Oz book authors politely refer to him that way. Authors Ruth Plumly Thompson and John R. Neill used the traditional spelling "gnome" so Ruggedo is the title character in Thompson's The Gnome King of Oz.
In Baum's universe, the Nomes are immortal rock fairies who dwell underground. They hide jewels and precious metals in the earth, and resent the "upstairs people" who dig down for those valuables. Apparently as revenge, the Nome King enjoys keeping surface-dwellers as slaves—not for their labor but simply to have them.
Nomes' greatest fear is eggs. Upon seeing Billina, Roquat is terrified, declaring that "Eggs are poison to Nomes!" He claims that any Nome who contacts an egg will be weakened to the point that they can be easily destroyed. Baum, however, strongly hints that the fear of eggs is unjustified, as the Scarecrow repeatedly pelts him with eggs at the end of the novel, causing him no apparent harm beyond stress enough to allow Dorothy Gale to remove his Magic Belt. Sally Roesch Wagner, in her pamphlet The Wonderful Mother of Oz suggests that Matilda Joslyn Gage had made Baum aware that the egg is an important symbol of matriarchy, and that it is this that the Nomes, among whom no females are seen in any canonical text, actually fear.
In their first encounter with Roquat, in Ozma of Oz, Princess Ozma, Dorothy Gale, and a party from the Emerald City free the royal family of Ev from his enslavement and, for good measure, take away his magic belt. Roquat becomes so angry that he plots revenge in The Emerald City of Oz. He has his subjects dig a tunnel under the Deadly Desert while his general recruits a host of evil spirits to conquer Oz. Fortunately, at the moment of invasion Roquat tastes the Water of Oblivion and forgets everything, including his enmity and his name.
Tik-Tok of Oz reintroduces the Nome King with his new name, all the Nomes, Whimsies, Growleywogs, and Phanfasms having forgotten the old one, and old resentments. Using some personal magic, he has enslaved the Shaggy Man's brother, a miner from Colorado. Shaggy, with the help of Betsy Bobbin, the Oogaboo army, some of Dorothy's old friends, and Quox the dragon, conquer the Nome King again and Tititi-Hoochoo, the Great Jinjin expels him from his kingdom, placing Chief Steward Kaliko on the throne. (In Rinkitink in Oz, which is a revision of a lost 1905 novel titled King Rinkitink, which, had it been published, would have been the original character's debut, Kaliko behaves much like his former master.)
In The Magic of Oz, Ruggedo meets the young enchanter Kiki Aru and plans to destroy Oz again. He gets into the country without Ozma's knowledge, creating havoc. However, he again drinks of the Water of Oblivion, and to stop him ever going bad again Ozma settles him in the Emerald City.
Soon after taking over the Oz series, Ruth Plumly Thompson brought back Ruggedo, his memory and rancor restored and living imprisoned under the city. Finding a box of mixed magic, in Kabumpo in Oz he grows into a giant and runs away with Ozma's royal palace on his head. He is placed on a Runaway Land which runs out to the Nonestic Ocean and strands him on an island.
In The Gnome King of Oz, he is helped off the island by Peter Brown, an athletic boy from Philadelphia, making his first trip to Oz. As in Ozma of Oz, Ruggedo is quite friendly when he thinks he is going to get his way. After threatening the Emerald City utilizing a Cloak of Invisibility, he is hit with a Silence Stone and immediately struck dumb.
In Pirates in Oz, the dumb Ruggedo finds a town in the Land of Ev called Menankypoo, whose people speak with words across their foreheads, and seek a dumb king. Peter, Pigasus and Captain Samuel Salt aid in his defeat and he is transformed into a jug.
In Handy Mandy in Oz, the Wizard of Wutz, the handsome but cruel King of the Silver Mountain, restored his proper form, but at the end of that book, Himself the Elf transforms both of them into cactuses, so that they can never make trouble again.
Ruggedo has made no further appearances in canon Oz books, but further adventures of this foe have been in contradictory fan-fictions.
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Famous quotes containing the word novels:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)