Reception
The Newtype Magazine ranked Noir second in its top 10 list of anime of the year 2001. Noir also made a top three place in the top 20 anime in Japan chart by Anihabara! in October 2001. In the June 2002 issue of Animage, Noir was voted by the magazine's readers onto a shared 10th place in the best 20 new anime of 2001 in Japan.
Josh Mohs of Active Anime comments that "Noir doesn't fail to deliver mystery, action, and drama." Though he laments "some pacing problems, especially towards the beginning of the series," he lauds the character interactions as well as the series' "job of tying together all its inherent sub-plots" and the director's "bold move" in leaving "the ending open to viewer interpretation." In a review of the first DVD compilation by ADV Films, Jeremy Conrad of IGN lauded the series for being "stylistic", stating that "It oozes style", and for its "extremely cool" fight choreography and "great" shootouts, saying that "What Noir does right is its action." He also noted the series' character design as being "solid" and the series' soundtrack as being "excellent", reminiscent of "Eric Serra's stuff in movies such as La Femme Nikita", but lamented about the slowed pace at the end of the volume, stating that "some of the story stuff they were trying to do was snooze inducing."
Josh Mohs of Active Anime comments that Noir's "strong character interactions are usually enough to pull you through" the pacing problems he saw with the series and further states that, along with the series' "unique twists", the "intriguing character dynamic definitely elevate it above the rest of the competition."
Kirika had been voted with Mireille as two of the top ten female anime characters by Newtype Japan in 2001.
Anime News Network's Theron Martin, ten years after the show's original run, commented that Noir "was at least to some degree an influential title" and "is still recognized as one of the preeminent titles of its type because it redefined what a 'girls with guns' title could be." He went on to praise the show for its "sleek, elegant story" and called it "anime's most pronounced homage to classic film noir". He named Mireille and Kirika "one of anime's most iconic female teams" along with the Dirty Pair and credited Kirika as "a precursor of the moe craze that came along later in the decade." He named "The Lost Kitten" as the series' episode with the best story content, and the double episode "The Intoccabile" as having the worst, noting its "hackneyed look into the Cosa Nostra". He lamented repetitiveness in action sequences and excessive reuse of scenes especially in early episodes as well as the absence of blood in light of the show's high body count. He showed himself unimpressed with the animation quality, but lauded the show's good looks, in particular those of the environments. He named the "tendency for repetitiveness" of its first half as the soundtrack's "only real flaw" and praised the pieces "Salva Nos" and "Canta Per Me" as "stand among the all-time great anime themes". About the English version, he commented that the "casting choices fit and match up well against the original performances" and that the "script stays tight enough to avoid garnering any accuracy complaints". In conclusion, he said "the series works in the ways that it is supposed to work and should keep viewers thoroughly involved through to the end."
Read more about this topic: Noir (anime)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)