History
The project was initiated in Derbyshire in the late 1970s by Nigel Ayers (b. 1957), a former art student, who in the period, lived in London. Together with collaborators Danny Ayers(b.1964) and Caroline K (b.1957- d.2008). From early in their work, the group concentrated on the axiom of music being a form of social control, and highlighted concepts such as information overload, cult conditioning, brainwashing and subliminal advertising, in a critique of information society. Their music drew heavily on worldwide folk traditions as well as that of the European avant-garde. One of their earliest performances was in a railway arch in Atlantic Road, Brixton, while the 1981 Brixton riots raged outside.
Since 1984 Nocturnal Emissions has continued mainly as Nigel Ayers' solo project. Line-up has varied from one to a dozen musicians. Nocturnal Emissions temporary members have included net artist Stanza, Ben Ponton of Zoviet France and (somewhat bizarrely) life coach Fiona Harrold.
Nocturnal Emissions ran their own record label, Sterile Records and later worked closely with the editors of the art music label Touch, later with both the Netherlands- based Staalplaat and USA- based Soleilmoon recording labels. All three labels came to the fore as part of 1980s cassette culture.
In 1990-92 Nocturnal Emissions collaborated on Butoh dance performances in Europe & the USA, with the Japanese choreographer Poppo Shiraishi. Around this time Nocturnal Emissions' Situationist-influenced practice became increasingly informed by magick, stone circles, techno–shamanism, neo-paganism, animism and Fortean research. There were many collaborations on animated films by Mancunian TV director Charlotte Bill. Bill was never an official member of Nocturnal Emissions, but admits to being one of the legion of members of The Fall (band).
Nocturnal Emissions were later to be associated with the Kernow section of the Association of Autonomous Astronauts and to feature in a best-selling story by the novelist Stewart Home.
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