Criticism
Unlike the scientific and literary Nobel Prizes, usually issued in retrospect often two or three decades after the awarded achievement, the Peace Prize has been awarded for more recent or immediate achievements, or with the intention of encouraging future achievements. Some commentators have suggested that to award a peace prize on the basis of unquantifiable contemporary opinion is unjust or possibly erroneous, especially as many of the judges cannot themselves be said to be impartial observers.
In 2011 a feature story in the Norwegian newspaper Aftenposten contended that major criticisms of the award were that the Norwegian Nobel Committee ought to recruit members from professional and international backgrounds, rather than retired members of parliament; that there is too little openness about the criteria that the committee uses when they choose a recipient of the prize; and that the adherence to Nobel's will should be more strict. In the article, Norwegian historian Øivind Stenersen argues that Norway has been able to use the prize as an instrument for nation building and furthering Norway's foreign policy and economic interests.
In another 2011 Aftenposten opinion article, the grandson of one of Nobel's two brothers, Michael Nobel, also criticised what he believed to be the politicisation of the award, claiming that the Nobel Committee has not always acted in accordance with Nobel's will.
Read more about this topic: Nobel Peace Prize
Famous quotes containing the word criticism:
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)