Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Blender | |
| Pitchfork | 7.0/10.0 |
| Rolling Stone | |
Several critics believed that Nirvana was too brief, and omitted key tracks. Stephen Thomas Erlewine of Allmusic wrote that "the presence of a few more tracks, along with placing "You Know You're Right" at the end where it belongs, would have made this collection not just stronger, but possibly definitive. As it stands, it feels like a bit of a cheap compromise and a wasted opportunity." Will Bryant of Pitchfork praised the album as "an artful selection of the band's most seminal material," but also dismissed it as "a party mix for parents who want to appreciate Cobain's Lennon-esque knack for great melodies without having to click past "Scentless Apprentice" or "Territorial Pissings"...utterly inoffensive: an impulse buy from Columbia House, perhaps, with no more artistic value than The Eagles' Greatest Hits or the Beatles' 1."
Read more about this topic: Nirvana (Nirvana album)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)