Production
- Director: Yoshiaki Kawajiri
- Screenplay: Yoshiaki Kawajiri
- Storyboard: Yoshiaki Kawajiri
- Original Work: Yoshiaki Kawajiri
- Original Character Design: Yoshiaki Kawajiri
- Character Design: Yutaka Minowa
- Animation Director: Yutaka Minowa
- Key Animation: Yoshiaki Kawajiri, Hirotsugu Kawasaki, Takeshi Koike, Takuo Noda, Tensai Okamura, Michio Mihara, Hiroshi Hamasaki, Kumiko Takahashi, Kouichi Arai, Yuzo Sato, Kahoru Hirata, Yoshinori Kanemori, Hideo Hayashi, Kunio Takahide, Shigeru Tsuzuki, Kenji Hayama, Shigeo Akahori, Masahiro Sekino, Hiroyuki Horiuchi, Hiroki Kanno, Takenori Mihara, Yasuhide Maruyama, Kazuhiro Soeta, Sumio Watanabe,Shougo Furuya, Reiko Eda, Koichi Chigira, Hitoshi Ueda, Satoshi Tasaki
- In-Between Check: Hidetsugu Ito, Kenichi Ueda, Yutaka Sakamoto
- Art Director: Hiromasa Ogura
- Assistant Art Director: Youji Takeshige
- Background Art: Masanori Kikuchi, Satoshi Kuroda, Akira Yamakawa, Katsuhi Aoki, Yoshinoi Hirose, Shinichi Uehara, Naruyo Kiriyama, Masako Okada, Yayoi Yamazaki, Junko Ina, Rei Kawano, Kiyomi Ota, Youngil Park, Kazuo Oga, Yuji Ikeda
- Color Coordination: Osamu Mikasa
- Editing: Harutoshi Ogata, Yukiko Itou
- Director of Photography: Hitoshi Yamaguchi
- Music: Kaoru Wada
- Music Producer: Tatsuo Oba
- Sound Effect Director: Yasunori Honda
- Assistant Director: Satoru Nishiura
- Executive Producer: Makoto Hasegawa, Masamichi Fujiwara, Yutaka Takahashi
- Producer: Haruo Sai, Masaki Sawanobori Shigeaki Komatsu
- Assistant Producer: Kazuhiko Ikeguchi, Masako Fukuyo, Shigeru Kitayama
- Line Producer: Masao Maruyama
- Animation Production: Madhouse
- Production: Animate Film, JVC, Toho, Movic
Read more about this topic: Ninja Scroll
Famous quotes containing the word production:
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)