Reception
Nimrod debuted at number ten on the Billboard 200, selling 81,000 copies in its first week of release, and remained on the chart for 70 weeks. On March 16, 2000, Nimrod was certified double platinum by the Recording Industry Association of America (RIAA) for shipments of over two million copies. In Canada, the album peaked at number four, remaining on the chart for four weeks. On July 6, 1998, the record was certified double platinum by the Canadian Recording Industry Association for shipments of over 200,000 copies. In Australia, the album debuted at number twelve and later peaked at number three on the country's chart. The record was later certified triple platinum in Australia.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
Robert Christgau | |
Entertainment Weekly | B− |
Pitchfork Media | (7.0/10) |
Rolling Stone |
The album received generally positive reviews from critics. Stephen Thomas Erlewine of Allmusic gave Nimrod three and a half stars out of five, calling it an "invigorating, if occasionally frustrating listen", and although he praised Armstrong's "gift for hooky, instantly memorable melodies", he noted that "the 18 tracks whip by at such a breakneck speed that it leaves you somewhat dazed." Greg Kot of Rolling Stone enjoyed the album's melodic nature as well as the "measure of sincerity" present in Armstrong's vocals. Kot appreciated the return of the band's "juvenile sense of humor" that he felt was lacking on Insomniac, and praised the musical diversity on the record, remarking, "This music is a long way from Green Day's apprenticeship at the Gilman Street punk clubs, in Berkeley, Calif. But now that the band has seen the world, it's only fitting that Green Day should finally make an album that sounds as if it has."
A group of editors writing for People also praised the record's "fresh and original" melodies and "quick-tempoed cool", adding, "Kudos to Green Day, young punk's reigning purists, for sticking with what they know best." Sandy Masuo of the Los Angeles Times enjoyed the "mature songwriting that really makes this album tick", noting that "Naturally, a couple of thrash 'n' bash hard-core paeans are included, but they're surrounded by songs that are surprisingly varied in character and grounded in a pop aesthetic that evokes a gaggle of great tunesmiths." Stephen Thompson of The A.V. Club wrote, "If Green Day still has a loyal following, its fans are bound to find something to like on Nimrod; for all the attempts at diversity, the record is packed with mile-wide hooks and sing-along anthems."
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