Second World War
Pevsner was "more German than the Germans" to the extent that he supported "Goebbels in his drive for 'pure' non-decadent German art". and was reported as saying of the Nazis (in 1933) "I want this movement to succeed. There is no alternative but chaos... There are things worse than Hitlerism". Nonetheless he was included in the Nazi Black Book as hostile to the Hitler regime.
In 1940, Pevsner was interned as an enemy alien in Huyton, Liverpool. He was released after three months on the intervention of, among others, Frank Pick, then Director-General of the Ministry of Information. He spent some time in the months after the Blitz clearing bomb debris, and wrote reviews and art criticism for the Ministry of Information's Die Zeitung, an anti-Nazi publication for Germans living in England. He also completed for Penguin Books the Pelican paperback An Outline of European Architecture, which he had begun to develop while in internment. Outline would eventually go into seven editions, be translated into sixteen languages, and sell more than half a million copies.
In 1942, Pevsner finally secured two regular positions. From 1936 onwards he had been a frequent contributor to the Architectural Review and from 1943 to 1945 he stood in as its acting editor while the regular editor J.M. Richards was on active service. Under the AR's influence, Pevsner's approach to modern architecture became more complex and more moderate. Early signs of a lifelong interest in Victorian architecture, also influenced by the Architectural Review, appeared in a series written under the pseudonym of "Peter F.R. Donner": Pevsner's "Treasure Hunts" guided readers down selected London streets, pointing out architectural treasures of the nineteenth century. He was also closely involved with the Review's proprietor, Hubert de Cronin Hastings, in evolving the magazine's theories on Picturesque planning.
In 1942, Pevsner was also appointed a part-time lecturer at Birkbeck, University of London; he would eventually retire from the college in 1969 as its first professor of art history. He lectured at Cambridge for almost thirty years, having been Slade professor there for a record six years from 1949 to 1955, and would also hold the Slade professorship at Oxford in 1968.
Framing all this was his career as a writer and editor. After moving to England, Pevsner had found that the study of architectural history had little status in academic circles, and the amount of information available, especially to travellers wanting to inform themselves about the architecture of a particular district, was limited. Invited by Allen Lane, founder of Penguin Books, for whom he had written his Outline and also edited the King Penguin series, to suggest ideas for future publications, he proposed a series of comprehensive county guides to rectify this shortcoming. Work on the Buildings of England series began in 1945, and the first volume was published in 1951. Pevsner wrote 32 of the books himself and 10 with collaborators, with a further 4 of the original series written by others. Since his death, work has continued on the series, which has been extended to cover the rest of the United Kingdom, under the title Pevsner Architectural Guides (now published by Yale University Press). Updating of his volumes has made them more authoritative but, from a scholarly point of view, has also made it impossible to tell what Pevsner himself wrote and thought and what ideas have been injected into the guides in his style but by other hands. As well as The Buildings of England, Pevsner also proposed to Penguin the Pelican History of Art series (1953– ), a multi-volume survey on the model of the German Handbuch der Kunstwissenschaft, which he would himself edit. Many individual volumes are regarded as classics.
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