Career
Harnoncourt was a cellist with the Vienna Symphony from 1952 to 1969. In 1953, he founded the period-instrument ensemble Concentus Musicus Wien with his wife, Alice Hoffelner. The Concentus Musicus Wien is dedicated to performances on period instruments, and by the 1970s his work with it had made him quite well known. He played the viola da gamba at this time, as well as the cello. For the Telefunken (later Teldec) label, Harnoncourt recorded a wide variety of the Baroque repertoire, beginning with the viol music of Henry Purcell, and extending to works including Johann Sebastian Bach's The Musical Offering, Claudio Monteverdi's L'incoronazione di Poppea, and Jean-Philippe Rameau's Castor et Pollux.
One reason that Harnoncourt left the Vienna Symphony was to become a conductor. He made his conducting debut at La Scala, Milan in 1970, in a production of Monteverdi's Il ritorno d'Ulisse in patria.
In 1971, Harnoncourt started a joint project with conductor Gustav Leonhardt to record all of J.S. Bach's cantatas. The project was eventually completed in 1990, and (barring a couple of cantatas, nos. 51 and 199) was the only cantata cycle to utilise an all-male choir and soloist roster. In 2001 a critically acclaimed and Grammy Award winning recording of Bach's St Matthew Passion conducted by Harnoncourt was released, which included the entire score of the piece in Bach's own hand on a CD-ROM (this is his third recording of the work).
Harnoncourt subsequently performed with many other orchestras using modern instruments, but still with an eye on historical authenticity in terms of tempi and dynamics, among other things. He also expanded his repertoire, continuing to play the baroque works which had given him prominence, but also championing the Viennese operetta repertoire. In recent years, he has made a benchmark recording of the Beethoven symphonies with the Chamber Orchestra of Europe (COE), and recorded the Beethoven piano concerti with Pierre-Laurent Aimard and the COE.
In addition, Harnoncourt is a guest conductor of the Vienna Philharmonic and has made several recordings with the orchestra. Between 1987 and 1991, he conducted four new productions of Mozart operas at the Vienna State Opera (1987-91: Idomeneo; 1988-90: Die Zauberflöte; 1989: Die Entführung aus dem Serail; 1989-91 Così fan tutte). He directed the Vienna Philharmonic's New Year's Day concerts in 2001 and 2003.
In 1992, Harnoncourt debuted at the Salzburg Festival conducting a concert with the Chamber Orchestra of Europe. In the following years, he led several concerts with the Chamber Orchestra of Europe, the Vienna Philharmonic and the Concentus Musicus. Harnoncourt also served as the conductor for major opera productions of the Festival: L'incoronazione di Poppea (1993), Le nozze di Figaro (1995 and 2006), Don Giovanni (2002, marking also Anna Netrebko's international breakthrough as Donna Anna, and 2003), La clemenza di Tito (2003 and 2006), King Arthur (2004). In 2012, Harnoncourt is scheduled to conduct a new Magic Flute, staged by Tobias Moretti.
In 2002 he recorded Anton Bruckner's Symphony No. 9 with the Vienna Philharmonic, with an accompanying second CD containing a lecture by Harnoncourt about the symphony with musical examples, including the rarely heard fragments from the unfinished finale.
Harnoncourt made his guest-conducting debut with the Concertgebouw Orchestra, Amsterdam in 1975. He has continued as a guest conductor with the orchestra, including in several opera productions and recordings. In October 2000, the Royal Concertgebouw Orchestra named him their Honorair gastdirigent (Honorary Guest Conductor).
In 2009, Harnoncourt recorded Porgy and Bess by George Gershwin.
Harnoncourt and his wife Alice have raised four children. Their daughter is the mezzo-soprano Elisabeth von Magnus. Their two surviving sons are Philipp and Franz. Their third son Eberhard, a violin maker, died in 1990 in an automobile accident.
Read more about this topic: Nikolaus Harnoncourt
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