Night On Earth (soundtrack) - Musicians

Musicians

  • Tom Waits - vocals, pump organ, drums, percussion, piano
  • Ralph Carney - trumpet, alto saxophone, tenor saxophone, bass clarinet, clarinet, baritone horn, pan pipes
  • Josef Brinckmann - accordion
  • Matthew Brubeck - cello
  • Joe Gore - guitar, banjo
  • Clark Suprynowitz - bass
  • Francis Thumm - harmonium, Stinson band organ


Tom Waits
Studio albums
  • Closing Time
  • The Heart of Saturday Night
  • Small Change
  • Foreign Affairs
  • Blue Valentine
  • Heartattack and Vine
  • Swordfishtrombones
  • Rain Dogs
  • Franks Wild Years
  • Bone Machine
  • The Black Rider
  • Mule Variations
  • Blood Money
  • Alice
  • Real Gone
  • Bad as Me
Live albums
  • Nighthawks at the Diner
  • Big Time
  • Romeo Bleeding: Live From Austin
  • Glitter and Doom Live
Soundtrack albums
  • One from the Heart
  • Night on Earth
Compilation albums
  • Bounced Checks
  • Anthology of Tom Waits
  • Asylum Years
  • The Early Years, Volume One
  • The Early Years, Volume Two
  • Beautiful Maladies
  • Used Songs 1973–1980
  • Orphans: Brawlers, Bawlers & Bastards
Notable songs
  • "Ol' '55"
  • "Tom Traubert's Blues"
  • "The Piano Has Been Drinking (Not Me) (An Evening with Pete King)"
  • "Somewhere"
  • "Christmas Card from a Hooker in Minneapolis"
  • "Romeo Is Bleeding"
  • "Kentucky Avenue"
  • "Heartattack and Vine"
  • "Jersey Girl"
  • "Downtown Train"
  • "Way Down in the Hole"
  • "Young at Heart"
  • "Bad as Me"
Tours
  • Real Gone Tour
  • The Orphans Tour
  • Glitter and Doom Tour
Related articles
  • Discography
  • Kathleen Brennan
  • Greg Cohen
  • Bones Howe
  • Rickie Lee Jones
  • Marc Ribot
  • Larry Taylor
  • Chuck E. Weiss
  • Portal:Music
  • Commons:Tom Waits

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Famous quotes containing the word musicians:

    Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.
    Honoré De Balzac (1799–1850)

    As if the musicians did not so much play the little phrase as execute the rites required by it to appear, and they proceeded to the necessary incantations to obtain and prolong for a few instants the miracle of its evocation, Swann, who could no more see the phrase than if it belonged to an ultraviolet world ... Swann felt it as a presence, as a protective goddess and a confidante to his love, who to arrive to him ... had clothed the disguise of this sonorous appearance.
    Marcel Proust (1871–1922)

    How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?
    In New York City, U.S. public relief program (1935-1943)