Night On Earth (soundtrack) - Musicians

Musicians

  • Tom Waits - vocals, pump organ, drums, percussion, piano
  • Ralph Carney - trumpet, alto saxophone, tenor saxophone, bass clarinet, clarinet, baritone horn, pan pipes
  • Josef Brinckmann - accordion
  • Matthew Brubeck - cello
  • Joe Gore - guitar, banjo
  • Clark Suprynowitz - bass
  • Francis Thumm - harmonium, Stinson band organ


Tom Waits
Studio albums
  • Closing Time
  • The Heart of Saturday Night
  • Small Change
  • Foreign Affairs
  • Blue Valentine
  • Heartattack and Vine
  • Swordfishtrombones
  • Rain Dogs
  • Franks Wild Years
  • Bone Machine
  • The Black Rider
  • Mule Variations
  • Blood Money
  • Alice
  • Real Gone
  • Bad as Me
Live albums
  • Nighthawks at the Diner
  • Big Time
  • Romeo Bleeding: Live From Austin
  • Glitter and Doom Live
Soundtrack albums
  • One from the Heart
  • Night on Earth
Compilation albums
  • Bounced Checks
  • Anthology of Tom Waits
  • Asylum Years
  • The Early Years, Volume One
  • The Early Years, Volume Two
  • Beautiful Maladies
  • Used Songs 1973–1980
  • Orphans: Brawlers, Bawlers & Bastards
Notable songs
  • "Ol' '55"
  • "Tom Traubert's Blues"
  • "The Piano Has Been Drinking (Not Me) (An Evening with Pete King)"
  • "Somewhere"
  • "Christmas Card from a Hooker in Minneapolis"
  • "Romeo Is Bleeding"
  • "Kentucky Avenue"
  • "Heartattack and Vine"
  • "Jersey Girl"
  • "Downtown Train"
  • "Way Down in the Hole"
  • "Young at Heart"
  • "Bad as Me"
Tours
  • Real Gone Tour
  • The Orphans Tour
  • Glitter and Doom Tour
Related articles
  • Discography
  • Kathleen Brennan
  • Greg Cohen
  • Bones Howe
  • Rickie Lee Jones
  • Marc Ribot
  • Larry Taylor
  • Chuck E. Weiss
  • Portal:Music
  • Commons:Tom Waits

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Famous quotes containing the word musicians:

    Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.
    Honoré De Balzac (1799–1850)

    How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?
    In New York City, U.S. public relief program (1935-1943)

    We stand in the tumult of a festival.
    What festival? This loud, disordered mooch?
    These hospitaliers? These brute-like guests?
    These musicians dubbing at a tragedy,
    A-dub, a-dub, which is made up of this:
    That there are no lines to speak? There is no play.
    Wallace Stevens (1879–1955)