Praise and Criticism
Nicolas Cage's acting has been praised by influential film critic Roger Ebert who writes, in his "Great Movies" essay about the film Adaptation, that: "There are often lists of the great living male movie stars: De Niro, Nicholson and Pacino, usually. How often do you see the name of Nicolas Cage? He should always be up there. He's daring and fearless in his choice of roles, and unafraid to crawl out on a limb, saw it off and remain suspended in air. No one else can project inner trembling so effectively.... He always seems so earnest. However improbable his character, he never winks at the audience. He is committed to the character with every atom and plays him as if he were him." Roger Ebert, in response to mixed reviews of Knowing and their focus on criticizing Cage, wrote an article in which he defends both Cage as an actor and the movie to which, in stark contrast to other critics, Ebert gave 4/4 stars.
In the 68th Academy Awards, Cage was awarded the Academy Award for Best Actor for his performance in Leaving Las Vegas.
In May 2001, Cage was awarded an Honorary Doctorate in Fine Arts by California State University, Fullerton. He spoke at the commencement ceremony.
Despite such praise, Cage has his detractors. Cage has been criticized for choosing to star in big-budget, action-adventure movies rather than smaller, character-driven dramas, the type of film that initially garnered him praise. In 1999, one-time friend Sean Penn expressed that sentiment to the New York Times, declaring Cage "no longer an actor."
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“I don’t judge a regime by the damning criticism of the opposition, but by the ingenuous praise of the partisan.”
—Jean Rostand (1894–1977)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)