Audience
Early writers on American cinema history assumed that audiences at nickelodeons were primarily working-class people who could not afford a higher ticket price. More recent historians, however, claim the importance of middle class audiences throughout the nickelodeon era and into the later 1910s. At the heart of the image of nickelodeons in traditional histories is the belief that movies were a proletarian amusement and that the "proper" middle-class stayed away until after World War I. This idea is reflected in Lewis Jacobs' 1939 survey, where he writes: "Concentrated largely in poorer shopping districts and slum neighborhoods, nickelodeons were disdained by the well-to-do. But, the workmen and their families who patronized the movies did not mind the crowded, unsanitary, and hazardous accommodations most of the nickelodeons offered." In his recent research, however, Robert C. Allen has debated that movies attracted a middle-class audience as illustrated by the location of earlier movie theaters in traditional entertainment districts. Allen writes that "In terms of social class, more nickelodeons were located in or near middle-class neighborhoods than in the Lower East Side ghetto."
Read more about this topic: Nickelodeon (movie Theater)
Famous quotes containing the word audience:
“When you are writing before there is an audience anything written is as important as any other thing and you cherish anything and everything that you have written. After the audience begins, naturally they create something that is they create you, and so not everything is so important, something is more important than another thing ...”
—Gertrude Stein (1874–1946)
“I hate the actor and audience business. An author should be in among the crowd, kicking their shins or cheering them on to some mischief or merriment.”
—D.H. (David Herbert)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)