Audience
Early writers on American cinema history assumed that audiences at nickelodeons were primarily working-class people who could not afford a higher ticket price. More recent historians, however, claim the importance of middle class audiences throughout the nickelodeon era and into the later 1910s. At the heart of the image of nickelodeons in traditional histories is the belief that movies were a proletarian amusement and that the "proper" middle-class stayed away until after World War I. This idea is reflected in Lewis Jacobs' 1939 survey, where he writes: "Concentrated largely in poorer shopping districts and slum neighborhoods, nickelodeons were disdained by the well-to-do. But, the workmen and their families who patronized the movies did not mind the crowded, unsanitary, and hazardous accommodations most of the nickelodeons offered." In his recent research, however, Robert C. Allen has debated that movies attracted a middle-class audience as illustrated by the location of earlier movie theaters in traditional entertainment districts. Allen writes that "In terms of social class, more nickelodeons were located in or near middle-class neighborhoods than in the Lower East Side ghetto."
Read more about this topic: Nickelodeon (movie Theater)
Famous quotes containing the word audience:
“Few speeches which have produced an electrical effect on an audience can bear the colourless photography of a printed record.”
—Archibald Philip Primrose, 5th Earl Rosebery (1847–1929)
“The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.”
—Orson Welles (1915–1984)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)