Contributions To Duran Duran
The band achieved rapid success, and Rhodes was a driving force throughout. An unschooled musician, he experimented with the sounds his analogue synthesisers were capable of, but shied away from the "novelty" sounds of some other early synth bands. The distinctive warble of "Save A Prayer", the keyboard stabs of "A View to a Kill", and the string sounds of "Come Undone" and "Ordinary World" are some of his most recognizable creations, as well as the futuristic oscillating synth that characterised Duran Duran's self titled first album. He also popularised the Crumar Performer on the early records.
Rhodes was also quick to recognise the potential of the music video, and pushed the band to put more effort into their early videos than seemed warranted at the time (before the advent of MTV). Barely twenty when the band hit major stardom, he cultivated an androgynous and sometimes flamboyant image, wore heavy makeup, and changed his hair colour at whim.
By the late 1990s, Rhodes had begun writing lyrics for Duran Duran, as well as music. His digitally altered voice is heard on the title track to the 1997 album Medazzaland.
In 2001, the original five members of Duran Duran reunited to record new music; see Duran Duran for details.
Read more about this topic: Nick Rhodes
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“The vast material displacements the machine has made in our physical environment are perhaps in the long run less important than its spiritual contributions to our culture.”
—Lewis Mumford (18951990)