Filmography
| Year | Title | Production Co. | Cast | Notes |
|---|---|---|---|---|
| 1949 | They Live by Night | RKO Pictures | Cathy O'Donnell / Farley Granger / Howard Da Silva | |
| 1949 | Knock on Any Door | Santana Productions | Humphrey Bogart / John Derek | |
| 1949 | A Woman's Secret | RKO Pictures | Maureen O'Hara / Melvyn Douglas / Gloria Grahame | |
| 1949 | Roseanna McCoy | Samuel Goldwyn Co. | Farley Granger / Joan Evans | Irving Reis received credit even though he was replaced by Ray two months into filming |
| 1950 | In a Lonely Place | Santana Productions | Humphrey Bogart / Gloria Grahame | |
| 1950 | Born to Be Bad | RKO Pictures | Joan Fontaine / Robert Ryan | |
| 1951 | Flying Leathernecks | RKO Pictures | John Wayne / Robert Ryan | Technicolor |
| 1951 | The Racket | RKO Pictures | Robert Mitchum / Robert Ryan | Directed some scenes |
| 1952 | On Dangerous Ground | RKO Pictures | Robert Ryan / Ida Lupino | Lupino directed some scenes when Ray fell ill |
| 1952 | Macao | RKO Pictures | Robert Mitchum / Jane Russell / William Bendix | Took over from Josef Von Sternberg after he was fired during filming |
| 1952 | The Lusty Men | Wald-Krasna Productions | Robert Mitchum / Susan Hayward | Robert Parrish directed some scenes when Ray fell ill |
| 1952 | Androcles and the Lion | RKO Pictures | Jean Simmons / Victor Mature | Directed an extra scene after filming that was not used |
| 1954 | Johnny Guitar | Republic Pictures | Joan Crawford / Sterling Hayden | Trucolor |
| 1955 | Run for Cover | Pine-Thomas Productions | James Cagney / John Derek | Technicolor, VistaVision |
| 1955 | Rebel Without a Cause | Warner Bros. | James Dean / Natalie Wood / Sal Mineo | Warnercolor, CinemaScope |
| 1956 | Hot Blood | Columbia Pictures | Jane Russell / Cornel Wilde | Technicolor, CinemaScope |
| 1956 | Bigger Than Life | 20th Century Fox | James Mason / Barbara Rush | De Luxe Color, CinemaScope |
| 1957 | The True Story of Jesse James | 20th Century Fox | Robert Wagner / Hope Lange / Jeffrey Hunter | De Luxe Color, CinemaScope |
| 1957 | Amère victoire Bitter Victory |
Laffont Productions, Transcontinental Films | Richard Burton / Curd Jürgens | CinemaScope |
| 1958 | Wind Across the Everglades | Schulberg Productions | Burl Ives / Christopher Plummer | Fired during filming / Technicolor |
| 1958 | Party Girl | Metro-Goldwyn-Mayer, Euterpe | Robert Taylor / Cyd Charisse | Metrocolor, CinemaScope |
| 1960 | The Savage Innocents | Gray Film-Pathé, Joseph Janni-Appia Films, Magic Film | Anthony Quinn / Peter O'Toole | Technicolor, Super-Technirama 70 |
| 1961 | King of Kings | Samuel Bronston Productions | Jeffrey Hunter / Rip Torn / Robert Ryan | Technicolor, Super-Technirama 70 |
| 1963 | 55 Days at Peking | Samuel Bronston Productions | Charlton Heston / Ava Gardner / David Niven | Dismissed from production before completion / Technicolor, Super-Technirama 70 |
| 1974 | Wet Dreams (segment "The Janitor") |
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| 1976 | We Can't Go Home Again | Experimental film | ||
| 1978 | Marco | Short film | ||
| 1980 | Lightning Over Water | Part-Documentary / Eastmancolor film |
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