Colors and Crest
When the team was founded in 1971, Cosmos general manager Clive Toye chose the green and yellow of the Brazil national team as playing colors as part of his strategy to lure Pelé, one of that country's star players, to the United States. The club's initial uniform was all green with yellow trim, with the colors reversed on the road uniform. Coincidentally, the colors were the same as those of the previous New York NASL team, the New York Generals, which had folded after the 1968 season. When Pelé did come on board in 1975, the uniform was changed to all-white in imitation of his club in Brazil, Santos. The green and yellow elements were relegated to the trim. The green shirt was concurrently matched with white shorts to became the new away uniform. Uniforms designed by Ralph Lauren were used from 1979 to the end; the home uniform remained all-white, though with navy and yellow trim replacing the green and white trim of the previous outfit. The away uniform became navy shirts and shorts with yellow trim, paired with unusual yellow-and-navy hooped socks, which were later replaced with plain navy blue ones.
The artist commissioned by Toye to design the team's logo was Wayland Moore, a sports artist from Atlanta who had already worked on the logo, uniform and program covers of that city's soccer team, the Chiefs. Moore attempted to create a design that was simple, recognisable and inclusive of New York's many nationalities. The three colored "blades" surrounding the soccer ball in the center represented its movement, while the font originally used was chosen simply because it was easily legible on the uniform. The text on the logo was shortened to "Cosmos" in 1977, concurrently with the team's dropping of the "New York" label. The city name was restored two years later, but the badge remained unchanged.
Read more about this topic: New York Cosmos
Famous quotes containing the words colors and, colors and/or crest:
“One wonders that the tithing-men and fathers of the town are not out to see what the trees mean by their high colors and exuberance of spirits, fearing that some mischief is brewing. I do not see what the Puritans did at this season, when the maples blaze out in scarlet. They certainly could not have worshiped in groves then. Perhaps that is what they built meeting-houses and fenced them round with horse-sheds for.”
—Henry David Thoreau (18171862)
“One wonders that the tithing-men and fathers of the town are not out to see what the trees mean by their high colors and exuberance of spirits, fearing that some mischief is brewing. I do not see what the Puritans did at this season, when the maples blaze out in scarlet. They certainly could not have worshiped in groves then. Perhaps that is what they built meeting-houses and fenced them round with horse-sheds for.”
—Henry David Thoreau (18171862)
“What shall he have that killed the deer?
His leather skin and horns to wear.
Then sing him home.
Take thou no scorn to wear the horn,
It was a crest ere thou wast born;
Thy fathers father wore it,
And thy father bore it.
The horn, the horn, the lusty horn
Is not a thing to laugh to scorn.”
—William Shakespeare (15641616)