New York City Ballet - History

History

The company was named New York City Ballet when it became resident at City Center of Music and Drama in 1948. Its success was marked by its move to the New York State Theater, now David H. Koch Theater, designed by Philip Johnson to Balanchine's specifications. City Ballet went on to become the first ballet company in the United States to have two permanent venue engagements: one at Lincoln Center's David H. Koch Theater on 63rd Street in Manhattan, and another at the Saratoga Performing Arts Center, in Saratoga Springs, New York. The School of American Ballet (S.A.B.), which Balanchine founded, is the training school of City Ballet.

After the company's move to the State Theater, Balanchine's creativity as a choreographer flourished. He created works that were the basis of the company's repertory until his death in 1983. His vision influenced dance both across the United States and in Europe. He worked closely with choreographer Jerome Robbins, who resumed his connection with the company in 1969 after having produced works for Broadway.

NYCB still has the largest repertoire by far of any American ballet company, and it often stages 60 ballets or more in its winter and spring seasons at Lincoln Center each year and 20 or more in its summer season in Saratoga Springs. City Ballet has performed The Nutcracker, Romeo and Juliet, A Midsummer Night's Dream and many more. City Ballet has trained and developed many great dancers since its formation. Also, many dancers with already developed reputations have joined City Ballet as principal dancers.

  • Allegra Kent
  • Arthur Mitchell
  • Edward Villella
  • Gelsey Kirkland
  • Jacques d'Amboise
  • Jillana
  • Kyra Nichols
  • Maria Tallchief
  • Melissa Hayden
  • Merrill Ashley
  • Mikhail Baryshnikov
  • Patricia McBride
  • Suzanne Farrell
  • Tanaquil LeClercq
  • Peter Martins,
balletmaster in chief

Read more about this topic:  New York City Ballet

Famous quotes containing the word history:

    It is the true office of history to represent the events themselves, together with the counsels, and to leave the observations and conclusions thereupon to the liberty and faculty of every man’s judgement.
    Francis Bacon (1561–1626)

    All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.
    Sarah M. Grimke (1792–1873)

    ... in America ... children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.
    Mary McCarthy (1912–1989)