Relationship To Music Sociology
New Musicology is distinct from German music sociology in the work of Adorno, Max Weber and Ernst Bloch. Although some new musicologists claim some allegiance to Theodor Adorno, their work has little in common with the wider field of Adorno studies, especially in Germany. Adorno's own radical comments on gender, ethnicity and sexuality are rarely taken into account. New Musicologists frequently exhibit strong anti-German tendencies, especially in regard to nineteenth-century German music theorists including Adolf Bernhard Marx and Eduard Hanslick, also the twentieth-century figures Heinrich Schenker and Carl Dahlhaus.
A fundamental distinction has to do with attitudes towards modernism and popular culture. Influential, oft-cited essays such as McClary 1989 and McClary 2006 are highly dismissive of modernist music. German music sociologists tend to be more favorable towards modernism (though by no means uncritically) and severely critical of popular music as inextricably tied to the aesthetics of distraction as demanded by the culture industry. Metzger describes 'a fascistic element' in the music of the Rolling Stones. New Musicology, on the other hand, often overlaps with postmodern aesthetics; various New Musicologists are highly sympathetic towards musical minimalism (see McClary 1990 and 2000 and Fink 2005).
Read more about this topic: New Musicology
Famous quotes containing the words relationship to, relationship, music and/or sociology:
“Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.”
—Igor Stravinsky (1882–1971)
“Every relationship that does not raise us up pulls us down, and vice versa; this is why men usually sink down somewhat when they take wives while women are usually somewhat raised up. Overly spiritual men require marriage every bit as much as they resist it as bitter medicine.”
—Friedrich Nietzsche (1844–1900)
“The train was crammed, the heat stifling. We feel out of sorts, but do not quite know if we are hungry or drowsy. But when we have fed and slept, life will regain its looks, and the American instruments will make music in the merry cafe described by our friend Lange. And then, sometime later, we die.”
—Vladimir Nabokov (1899–1977)
“Parenting, as an unpaid occupation outside the world of public power, entails lower status, less power, and less control of resources than paid work.”
—Nancy Chodorow, U.S. professor, and sociologist. The Reproduction of Mothering Psychoanalysis and the Sociology of Gender, ch. 2 (1978)