Never Mind the Full Stops is a British television panel game based on the English language, its idiosyncrasies, and its misuse. It is hosted by the British actor, author and Oscar-winning screenwriter, Julian Fellowes. Each episode lasts 30 minutes. The series was filmed in March 2006 at Channel 4's studios in Horseferry Road, Westminster. It was originally broadcast on BBC Four, and aired on BBC Two from 9 October 2006.
Two teams of two people are faced with various questions and challenges concerning English grammar, spelling and usage. The show is divided into rounds, with themes such as identifying the famous author of a badly spoken sentence (John Prescott was one of those picked on in the first episode) and correcting the punctuation in a written sentence. There is also a quick-fire round with questions such as "What is a malapropism?" Points are awarded throughout the show to determine the winning team.
Each show starts with the host giving a 'difficult-to-spell' word and an example mnemonic to help remember that spelling, and by the end of the show the panellists have to have devised their own. In episode one Julian Fellowes gave the example arithmetic: A Rat In The House Might Eat The Ice Cream; and Ned Sherrin's version (which earned his team the win as the final points were tied) was: As Richard Interred The Head Master Every Tiny Infant Cheered. By the end of series 1, even Julian Fellowes had realized that these so-called mnemonics were invariably harder to remember than the spellings – particularly as they were rarely related to the words in question.
The programme's name is derived from that of the long-running pop music panel game Never Mind the Buzzcocks, which is itself taken from the title of the Sex Pistols album, Never Mind the Bollocks.
Read more about Never Mind The Full Stops: Series 1
Famous quotes containing the words mind, full and/or stops:
“It was the feeling of a passenger on an ocean steamer whose mind will not give him rest until he has been in the engine-room and talked with the engineer. She wanted to see with her own eyes the action of primary forces; to touch with her own eyes the action of primary forces; to touch with her own hand the massive machinery of society; to measure with her own mind the capacity of the motive power. She was bent upon getting to the heart of the great American mystery of democracy and government.”
—Henry Brooks Adams (1838–1918)
“By measuring individual human worth, the novelist reveals the full enormity of the State’s crime when it sets out to crush that individuality.”
—Ian McEwan (b. 1938)
“A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.”
—W.H. (Wystan Hugh)