Nessun Dorma - Context and Analysis

Context and Analysis

In the act before this aria, Calaf has correctly answered the three riddles put to all of Princess Turandot's prospective suitors. Nonetheless, she recoils at the thought of marriage to him. Calaf offers her another chance by challenging her to guess his name by dawn. (As he kneels before her, the Nessun dorma theme makes a first appearance, to his words, "Il mio nome non sai!") If she does so, she can execute him; but if she does not, she must marry him. The cruel and emotionally cold princess then decrees that none of her subjects shall sleep that night until his name is discovered. If they fail, all will be killed.

As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot's heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot:

"Nessun dorma! Nessun dorma! Tu pure, o Principessa, nella tua fredda stanza, guardi le stelle che tremano d'amore, e di speranza!"
(English translation: "None shall sleep! None shall sleep! Even you, O Princess, in your cold bedroom, watch the stars that tremble with love and with hope!")
"Ma il mio mistero è chiuso in me; il nome mio nessun saprà! No, No! Sulla tua bocca lo dirò quando la luce splenderà!"
("But my secret is hidden within me; none will know my name! No, no! On your mouth I will say it when the light shines!")
"Ed il mio bacio scioglierà il silenzio che ti fa mia!"
("And my kiss will dissolve the silence that makes you mine!")

Just before the climactic end of the aria, a chorus of women is heard singing in the distance:

"Il nome suo nessun saprà, E noi dovrem, ahimè, morir, morir!"
("No one will know his name, and we will have to, alas, die, die!")

Calaf, now certain of victory, sings:

"Dilegua, o notte! Tramontate, stelle! Tramontate, stelle! All'alba vincerò! Vincerò! Vincerò!"
("Vanish, o night! Set, stars! Set, stars! At dawn, I will win! I will win! I will win! ")

In performance, the final "Vincerò!" features a sustained B4, followed by the final note, an A4 sustained even longer—although Puccini's score did not explicitly specify that either note be sustained. In the original score, the B is written as an eighth note while the A is a quarter note. Both are high notes in the tenor range. The only recording to follow Puccini's score exactly was the very first, sung by Gina Cigna and Francesco Merli, conducted by Franco Ghione.

In Alfano's completion of Act 3, the "Nessun dorma" theme makes a final triumphal appearance at the end of the opera. The theme also makes a concluding reappearance in Luciano Berio's later completion (this having been an expressed intention of Puccini's), but in a more subdued orchestration.

Read more about this topic:  Nessun Dorma

Famous quotes containing the words context and, context and/or analysis:

    Parents are led to believe that they must be consistent, that is, always respond to the same issue the same way. Consistency is good up to a point but your child also needs to understand context and subtlety . . . much of adult life is governed by context: what is appropriate in one setting is not appropriate in another; the way something is said may be more important than what is said. . . .
    Stanley I. Greenspan (20th century)

    The hippie is the scion of surplus value. The dropout can only claim sanctity in a society which offers something to be dropped out of—career, ambition, conspicuous consumption. The effects of hippie sanctimony can only be felt in the context of others who plunder his lifestyle for what they find good or profitable, a process known as rip-off by the hippie, who will not see how savagely he has pillaged intricate and demanding civilizations for his own parodic lifestyle.
    Germaine Greer (b. 1939)

    A commodity appears at first sight an extremely obvious, trivial thing. But its analysis brings out that it is a very strange thing, abounding in metaphysical subtleties and theological niceties.
    Karl Marx (1818–1883)