Neon Genesis Evangelion (anime) - Legacy

Legacy

From the period from 1984 to the release of Evangelion, most highly acclaimed anime had a style somehow distanced from the usual styles of anime. For example, Hayao Miyazaki's My Neighbor Totoro (1988), and Kiki's Delivery Service (1989) were both low-key works, while Akira (1988) was influenced by American comic books. Acclaimed director Mamoru Oshii had said that, in the words of Hiroki Azuma, nobody wanted to watch "simple anime-like works" anymore. Evangelion, however, shows the reversal of this trend. It fully embraced the style of mecha anime, and in particular shows a large influence from Yoshiyuki Tomino's Space Runaway Ideon, which Anno recommends; particularly, there are scenes in The End of Evangelion which are clear homages to the last movie for the Ideon series.

As much as Evangelion has been impacted by other works like Devilman, the series itself has become a staple in Japanese fiction. The nature of the show made it a landmark work in the more psychological and sophisticated vein of anime that would be picked up by later works such as Revolutionary Girl Utena (1997) that, like Evangelion, center on an ambiguous world-changing event to come. Serial Experiments Lain is a later anime which dealt with many of the same themes as Evangelion, and so is often thought to be influenced by Neon Genesis Evangelion, although the writer did not see any of Evangelion until he had finished the fourth episode of Lain, and attributes the utility pole visual motif to independent invention and the screen captions to his borrowing from Jean-Luc Godard and Anno from Kon Ichikawa. The show His and Her Circumstances (1999), which was also directed by Hideaki Anno, shares techniques (the experimental 'ripping-apart' of the animation and use of real photographs) and portrayed psychological conflicts in much the same way (although the various cinematic devices can be traced back to works other than Eva, for instance the works of Osamu Tezuka.). Makoto Shinkai has acknowledged a cinematographic debt to Evangelion.

Evangelion dramatically changed the design of giant robots in animated works. Previously, mecha or giant robot shows took their "mechanical suit" designs from Mobile Suit Gundam, Mazinger, and other similar shows from the 70s and 80s. Evangelion changed this with its fast and sleek Evas, making a noticeable contrast to the comparatively bulky and cumbersome looking Patlabors and Mobile Suits of the past. Indeed, the style set and created by Evangelion has become more common since its release, yet series like The King of Braves GaoGaiGar have continued to use the classic "mecha" style. RahXephon, a show with designs inspired by 1970s mecha shows, was compared to Evangelion by many English language reviewers. Evangelion is generally viewed to be a part of the soft science fiction genre, by avoiding the technical hard S.F. approach of Gundam and other popular mecha anime in favor of psychological struggle and metaphysical symbolism. Shows or works involving similar mixtures of religion and mecha are often compared to NGE, such as Xenogears or Gasaraki or El Shaddai: Ascension of the Metatron.

The UK band Fightstar's debut album, Grand Unification, was heavily influenced by Neon Genesis Evangelion.