Characters
| “ | It's strange that 'Evangelion' has become such a hit—all the characters are so sick! | ” |
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—Hideaki Anno, series director and writer |
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For the series, Anno attempted to create characters that represent different things to different viewers. To some, the characters are historical, religious, or philosophical symbols, while others see themselves in the characters. All of the characters reflect different parts of Anno's own personality.
In the story, the characters of Evangelion struggle with their interpersonal relationships, their personal problems, and traumatic events in their pasts. Anno has described the hero, Shinji Ikari, as a boy who "shrinks from human contact" and has "convinced himself that he is a completely unnecessary person". He has also described both Shinji and Misato Katsuragi as "afraid of being hurt" and "unsuitable—lacking the positive attitude—for what people call heroes of an adventure." Rei Ayanami and Asuka Langley Soryu, the other major protagonists, are presented with their own flaws and difficulty relating to other people.
The characters' visual designs were done by Yoshiyuki Sadamoto. His designs of the three main female leads, Asuka, Rei and Misato, contributed to high sales of merchandise, especially the design of Rei. She became so popular that she earned the name "Premium Girl" from the media, referring to the high sales of books with her on the cover.
Read more about this topic: Neon Genesis Evangelion (anime)
Famous quotes containing the word characters:
“The naturalistic literature of this country has reached such a state that no family of characters is considered true to life which does not include at least two hypochondriacs, one sadist, and one old man who spills food down the front of his vest.”
—Robert Benchley (1889–1945)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)
“The major men
That is different. They are characters beyond
Reality, composed thereof. They are
The fictive man created out of men.
They are men but artificial men.”
—Wallace Stevens (1879–1955)