Nelson Riddle - Career Revival

Career Revival

In the spring of 1982, Riddle was approached by Linda Ronstadt - via telephone through her manager and producer, Peter Asher - to write arrangements for an album of jazz standards Linda had been contemplating since her stint in The Pirates of Penzance. The agreement between the two resulted in a three-album contract which included what were to be the last arrangements of Riddle's career, with the exception of an album of twelve Great American Songbook standards he arranged and conducted for his old friend, opera singer Kiri Te Kanawa, in April 1985, six months before his death that October. Ronstadt recalls that when she initially approached Riddle, she did not know if he was even familiar with her music. He knew her name but basically hated rock 'n' roll. However, his daughter was a big Linda Ronstadt fan and told her father, "Don't worry, Dad. Her checks won't bounce."

When Nelson learned of Ronstadt's desire to learn more about traditional pop music and agreed to record with her, he insisted on a whole album or nothing. He was at first skeptical, but once he agreed his career turned upside down immediately. For her to do "elevator music", as she called it, was a great surprise to the young audience. Joe Smith, the president of Elektra, was terrified that the albums would turn off the rock audience. The three albums together sold over seven million copies and brought Nelson back to a young audience during the last three years of his life. Arrangements for Linda Ronstadt's What's New (1983) and Lush Life (1984) won Riddle his second and third Grammy Awards (the last was awarded posthumously - and accepted on his behalf by Linda Ronstadt - in early 1986).

On January 19, 1985, he conducted at the nationally-televised 50th Presidential Inaugural Gala, the day before the second inauguration of Ronald Reagan. The program was hosted by Frank Sinatra, who sang "Fly Me to the Moon" and "One for My Baby (and One More for the Road)" (backed by a single-dancer dance routine by Mikhail Baryshnikov).

Working with Ronstadt, Riddle brought his career back into focus in the last three years of his life. Stephen Holden of The New York Times wrote, What's New "isn't the first album by a rock singer to pay tribute to the golden age of pop, but is ... the best and most serious attempt to rehabilitate an idea of pop that Beatlemania and the mass marketing of rock LPs for teen-agers undid in the mid-60s ... In the decade prior to Beatlemania, most of the great band singers and crooners of the 40s and 50s codified a half-century of American pop standards on dozens of albums ... many of them now long out-of-print". What's New is the first album by a rock singer to have major commercial success in rehabilitating the Great American Songbook.