Character
The Simpsons creator Matt Groening named Nelson after the wrestling hold of the same name. Cast member Nancy Cartwright voices the character, which first appeared in the fifth episode of the first season, "Bart the General" (1990). American voice actress Dana Hill was first supposed to provide Nelson's voice, and attended the read-through of the episode. However, as Cartwright wrote in her autobiography My Life as a 10-Year-Old Boy, "the producers were still putting together this ensemble of and, come Monday, at the recording, she was nowhere to be found and the part was assigned to me. I didn't have time to ask why and I still don't have a clue." Cartwright also commented that when she first found out she would be voicing Nelson, "I asked myself, 'What does a bully sound like?' Well... what you hear is what you get. When I first uttered, 'I'll get you after school, man!' I let out a sigh of relief when I got through the line and a double-sigh when it got a laugh."
By the eighth season of The Simpsons, the writers had begun to explore the secondary characters of the show. "Lisa's Date with Density" (season eighth, 1996) was the first episode to center around Nelson and was used to explain why he acts the way he does. The idea of Nelson dating Lisa Simpson had already been around for a while but this was the first time that the staff worked it into the show. Cartwright said in 2012 that she thinks Nelson "has evolved the most out of all the characters I do. There's a soft spot in him that the writers have found. He's got this special attraction to Marge, and he sings these songs, and he's got a crush on Lisa. There's something about this poor kid – his mother works at Hooters, his dad went out to buy milk and never came back. I wouldn't want him to come over for dinner, but I really love doing his voice."
Read more about this topic: Nelson Muntz
Famous quotes containing the word character:
“Accidents will occur in the best-regulated families; and in families not regulated by that pervading influence which sanctifies while it enhances ... in short, by the influence of Woman, in the lofty character of Wife, they may be expected with confidence, and must be borne with philosophy.”
—Charles Dickens (1812–1870)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (1878–1979)
“But boys and girls, pale from the imagined love
Of solitary beds, knew what they were,
That passion could bring character enough
And pressed at midnighht in some public place
Live lips upon a plummet-measured face.”
—William Butler Yeats (1865–1939)