Neil Hamburger - Style

Style

Hamburger's live act, which is quite different from his many albums, features a barrage of question/answer jokes aimed often at celebrity targets as well as depressing barbs aimed at his ex-wife. His pacing is off, and he often clears his throat during his routine, usually to keep overzealous fans from shouting out his punchlines. He has performed in front of audiences worldwide from Madison Square Garden to Jimmy Kimmel Live! and the confrontational aspects of his act have drawn cursory comparisons to Tony Clifton. One of his most famous gags is the "Zipper Lips", in which he asks an audience member a question. If the audience member doesn't respond, Hamburger derides them for being a "zipper lips". A common phrase used by the comedian is "But that's my life!", which he uses when he mentions being humiliated or degraded for some reason .

Read more about this topic:  Neil Hamburger

Famous quotes containing the word style:

    The authoritarian child-rearing style so often found in working-class families stems in part from the fact that parents see around them so many young people whose lives are touched by the pain and delinquency that so often accompanies a life of poverty. Therefore, these parents live in fear for their children’s future—fear that they’ll lose control, that the children will wind up on the streets or, worse yet, in jail.
    Lillian Breslow Rubin (20th century)

    Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.
    Friedrich Nietzsche (1844–1900)

    The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.
    Helen Hayes (1900–1993)