Nazi Germany - Culture

Culture

The regime sought to restore traditional values in German culture. The art and culture that came to define the Weimar Republic years was repressed. The visual arts were strictly monitored and traditional, focusing on exemplifying Germanic themes, racial purity, militarism, heroism, power, strength, and obedience. Modern abstract art and avant-garde art was removed from museums and put on special display as "degenerate art", where it was to be ridiculed. In one notable example, on 31 March 1937, huge crowds stood in line to view a special display of "degenerate art" in Munich. Art forms considered to be degenerate included Dada, Cubism, Expressionism, Fauvism, Impressionism, New Objectivity, and Surrealism. Literature written by Jewish, other non-Aryans, homosexual or authors opposed to the Nazis was destroyed by the regime. The most infamous destruction of literature was the book burnings by German students in 1933.

Despite the official attempt to forge a pure Germanic culture, one major area of the arts, architecture, under Hitler's personal guidance, was neoclassical, a style based on architecture of ancient Rome. This style stood out in stark contrast and opposition to newer, more liberal, and more popular architecture styles of the time such as Art Deco. Various Roman buildings were examined by state architect Albert Speer for architectural designs for state buildings. Speer constructed huge and imposing structures such as in the Nazi party rally grounds in Nuremberg and the new Reich Chancellery building in Berlin. One design that was pursued, but never built, was a gigantic version of the Pantheon in Rome, called the Volkshalle to be the semi-religious centre of Nazism in a renamed Berlin called Germania, which was to be the "world capital" (Welthauptstadt). Also to be constructed was a Triumphal arch, several times larger than that found in Paris, which was also based upon a classical styling. Many of the designs for Germania were impractical to construct because of their size and the marshy soil underneath Berlin; later the materials that were to be used for construction were diverted to the war effort.