National Natural Landmark - Access

Access

Participation in the NNL Program does not carry any requirements regarding public access. The NNL registry does include many sites of national significance that are open for public tours. Some are open, others are not. Since many NNLs are located on federal and state property, permission to visit is often unnecessary. Some private property may be open to public visitation or just require permission from the site manager. On the other hand, some NNL private landowners do not desire any visitors whatsoever and might even prosecute trespassers. The reasons for this viewpoint vary: potential property damage or liability, fragile or dangerous resources, and desire for solitude or no publicity.

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Famous quotes containing the word access:

    A girl must allow others to share the responsibility for care, thus enabling others to care for her. She must learn how to care in ways appropriate to her age, her desires, and her needs; she then acts with authenticity. She must be allowed the freedom not to care; she then has access to a wide range of feelings and is able to care more fully.
    Jeanne Elium (20th century)

    Knowledge in the form of an informational commodity indispensable to productive power is already, and will continue to be, a major—perhaps the major—stake in the worldwide competition for power. It is conceivable that the nation-states will one day fight for control of information, just as they battled in the past for control over territory, and afterwards for control over access to and exploitation of raw materials and cheap labor.
    Jean François Lyotard (b. 1924)

    The nature of women’s oppression is unique: women are oppressed as women, regardless of class or race; some women have access to significant wealth, but that wealth does not signify power; women are to be found everywhere, but own or control no appreciable territory; women live with those who oppress them, sleep with them, have their children—we are tangled, hopelessly it seems, in the gut of the machinery and way of life which is ruinous to us.
    Andrea Dworkin (b. 1946)