Buildings
"East Building" redirects here. It is not to be confused with Eastern Building.Two buildings comprise the museum: the West Building (1941) and the East Building (1978) linked by a spacious underground passage. The West Building, composed of pink Tennessee marble, was designed in 1937 by architect John Russell Pope in a neoclassical style (as is Pope's other notable Washington, D.C. building, the Jefferson Memorial). Designed in the form of an elongated H, the building is centered on a domed rotunda modeled on the interior of the Pantheon in Rome. Extending east and west from the rotunda, a pair of high, skylit sculpture halls provide its main circulation spine. Bright garden courts provide a counterpoint to the long main axis of the building.
The West Building has an extensive collection of paintings and sculptures by European masters from the medieval period through the late 19th century, as well as pre-20th century works by American artists. Highlights of the collection include many paintings by Jan Vermeer, Rembrandt van Rijn, Claude Monet, Vincent van Gogh, and Leonardo da Vinci.
In contrast, the design of the East Building by architect I. M. Pei is rigorously geometrical, dividing the trapezoidal shape of the site into two triangles: one isosceles and the other a smaller right triangle. The space defined by the isosceles triangle came to house the museum's public functions. That outlined by the right triangle became the study center. The triangles in turn became the building's organized motif, echoed and repeated in every dimension. The building's most dramatic feature is its high atrium designed as an open interior court, it is enclosed by a sculptural space frame spanning 16,000 square feet (1,500 m2). The atrium is centered on the same axis that forms the circulation spine for the West Building and constructed in the same Tennessee marble. Starting in 2005, the joints attaching the marble panels to the walls began to show signs of strain, creating a risk of panels falling off the building onto the public below. In 2008 officials decided that it would be necessary to remove and reinstall all the panels. The project is scheduled for completion in 2013.
The East Building focuses on modern and contemporary art, with a collection including works by Pablo Picasso, Henri Matisse, Jackson Pollock, Andy Warhol, Roy Lichtenstein, Alexander Calder, a 1977 mural by Robert Motherwell and works by many other artists. The East Building also contains the main offices of the NGA and a large research facility, Center for Advanced Study in the Visual Arts (CASVA). Among the highlights of the East Building in 2012 is an exhibition of Barnett Newman's The Stations of the Cross series of 14 black and white paintings (1958–66). Newman painted them after he had recovered from a heart attack, and is usually regarded as the peak of his achievement. The series has also been seen as a memorial to the victims of the holocaust.
The two buildings are connected by a walkway beneath 4th street, called "the Concourse" on the museum's map. In 2008, the National Gallery of Art commissioned American artist Leo Villareal to transform the Concourse into an artistic installation. Today, Multiverse is the largest and most complex light sculpture by Villareal featuring approximately 41,000 computer-programmed LED nodes that run through channels along the entire 200-foot (61 m)-long space. The concourse also includes the food court and a gift shop.
The final element of the National Gallery of Art complex, the Sculpture Garden was completed in 1999 after more than 30 years of planning. To the west of the West Building, across Seventh Street, the 6.1 acres (25,000 m²) Sculpture Garden was designed by landscape architect Laurie Olin as an outdoor gallery for monumental modern sculpture and includes plantings of native American species of canopy trees, flowering trees, shrubs, ground covers, and perennials. A circular reflecting pool and fountain form the center of its design, complemented by great arching pathways of granite and crushed stone. (The pool is transformed into an ice-skating rink during the winter) The exhibited sculptures in the surrounding landscaped area include pieces by David Smith, Mark Di Suvero, Roy Lichtenstein, Sol LeWitt, Tony Smith, Roxy Paine, Joan Miró, Louise Bourgeois, and Hector Guimard.
Read more about this topic: National Gallery Of Art
Famous quotes containing the word buildings:
“If the factory people outside the colleges live under the discipline of narrow means, the people inside live under almost every other kind of discipline except that of narrow means—from the fruity austerities of learning, through the iron rations of English gentlemanhood, down to the modest disadvantages of occupying cold stone buildings without central heating and having to cross two or three quadrangles to take a bath.”
—Margaret Halsey (b. 1910)
“The desert is a natural extension of the inner silence of the body. If humanity’s language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity’s disappearance.”
—Jean Baudrillard (b. 1929)
“Now, since our condition accommodates things to itself, and transforms them according to itself, we no longer know things in their reality; for nothing comes to us that is not altered and falsified by our Senses. When the compass, the square, and the rule are untrue, all the calculations drawn from them, all the buildings erected by their measure, are of necessity also defective and out of plumb. The uncertainty of our senses renders uncertain everything that they produce.”
—Michel de Montaigne (1533–1592)