National Blue Ribbon Schools Program - Criticism

Criticism

David W. Kirkpatrick, the Senior Education Fellow at the US Freedom Foundation, noted in an editorial titled, "Awarding Blue Ribbons: Recognizing Schools or Students?" that criteria for the awards do not take into account the socioeconomic status of the students and that studies show that students who come from homes with higher income and better educated parents do better than students without these advantages by virtue of their backgrounds. Thus, the award is usually given to schools with students from wealthy backgrounds. As evidence to support his case, he pointed to the distribution of awards given in Pennsylvania one year; of eight schools receiving the award, only one was in a district whose income level was near the state average, and the rest went to districts with above average income, including two in the wealthiest community in the state.

Kirkpatrick proposed an alternative to recognizing "blue ribbon students"; he wrote, "Thus a more accurate indication of a good school would be one that adjusts for such socioeconomic factors and identifies those in which students do better than would normally be expected, based on their backgrounds."

From the program's inception through 2003, schools were permitted to nominate themselves. As of 2003 nominations are handled through a state liaison which schools must contact for nomination.

The program has also been criticized for assessment of schools coming from the school itself rather than an independent 3rd party and a nomination and assessment process that favors schools with the know-how and resources to complete the review assessment.

Read more about this topic:  National Blue Ribbon Schools Program

Famous quotes containing the word criticism:

    A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.”
    Brenda Ueland (1891–1985)

    The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.
    Susan Sontag (b. 1933)

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)