Works
An anonymous volume of Memoirs appeared in 1769; and a life by Andrew Kippis is prefixed to the edition of the Works of Lardner, first published in 1788. The full title of his principal work—a work which, though now out of date, entitles its author to be regarded as the founder of modern critical research in the field of early Christian literature—is The Credibility of the Gospel History; or the Principal Facts of the New Testament confirmed by Passages of Ancient Authors, who were contemporary with our Saviour or his Apostles, or lived near their time. Part 1, in 2 octavo volumes, appeared in 1727; the publication of part 2, in 12 octavo volumes, began in 1733 and ended in 1755. In 1730 there was a second edition of part 1, and the Additions and Alterations were also published separately. A Supplement, otherwise entitled A History of the Apostles and Evangelists, Writers of the New Testament, was added in 3 volumes (1756–1757), and reprinted in 1760.
Other works by Lardner are A Large Collection of Ancient Jewish and Heathen Testimonies to the Truth of the Christian Revelation, with Notes and Observations (4 volumes, quarto, 1764–1767); The History of the Heretics of the two first Centuries after Christ, published posthumously in 1780; and a considerable number of occasional sermons.
Read more about this topic: Nathaniel Lardner
Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (1745–1833)