Works
An anonymous volume of Memoirs appeared in 1769; and a life by Andrew Kippis is prefixed to the edition of the Works of Lardner, first published in 1788. The full title of his principal work—a work which, though now out of date, entitles its author to be regarded as the founder of modern critical research in the field of early Christian literature—is The Credibility of the Gospel History; or the Principal Facts of the New Testament confirmed by Passages of Ancient Authors, who were contemporary with our Saviour or his Apostles, or lived near their time. Part 1, in 2 octavo volumes, appeared in 1727; the publication of part 2, in 12 octavo volumes, began in 1733 and ended in 1755. In 1730 there was a second edition of part 1, and the Additions and Alterations were also published separately. A Supplement, otherwise entitled A History of the Apostles and Evangelists, Writers of the New Testament, was added in 3 volumes (1756–1757), and reprinted in 1760.
Other works by Lardner are A Large Collection of Ancient Jewish and Heathen Testimonies to the Truth of the Christian Revelation, with Notes and Observations (4 volumes, quarto, 1764–1767); The History of the Heretics of the two first Centuries after Christ, published posthumously in 1780; and a considerable number of occasional sermons.
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Famous quotes containing the word works:
“The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?”
—Martina Navratilova (b. 1956)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)