Architecture
As described in 1760 in the New American Magazine, "The simple interior design is shown in the plan, where a central corridor provided communication with the students' chambers and recitation rooms, the entrances, and the common prayer hall; and on the second floor, with the library over the central north entrance. The prayer hall was two stories high, measured 32 by 40 feet, and had a balcony at the north end which could be reached from the second-story entry. Partially below ground level, though dimly lighted by windows, was the cellar, which served as kitchen, dining area (beneath the prayer hall), and storeroom. In all there were probably forty rooms for the students, not including those added later in the cellar when a moat was dug to allow additional light and air into that dungeon."
On March 6, 1802, a fire devastated the interior of the Hall, leaving only the exterior walls standing and destroying nearly all contents including 2,900 out of the library's 3,000 books. Benjamin H. Latrobe, the first architect professionally trained in the United States and known for his work in the Federal style, oversaw the reconstruction and refused his share of the $42,000 that had been raised for the effort. “The horizontal lintels over the three entrances at the front of the building were replaced with triangular pediments, and the circular window in the central pediment rising from the eves (sic) was replaced with a fanlight.”
The Hall was gutted by fire once again in March of 1855. Reconstruction was carried out by John Notman of Philadelphia in his characteristic Italian Renaissance style, adding a often-criticized cupola and towers along with engineering improvements. Many of his architectural flourishes were removed in later renovations.
Read more about this topic: Nassau Hall
Famous quotes containing the word architecture:
“No architecture is so haughty as that which is simple.”
—John Ruskin (18191900)
“Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.”
—Audre Lorde (19341992)
“Defaced ruins of architecture and statuary, like the wrinkles of decrepitude of a once beautiful woman, only make one regret that one did not see them when they were enchanting.”
—Horace Walpole (17171797)