Names
There are several possible derivations of the name. One of the most common relates to the story of the young man of Greek mythology named Narcissus, who became so obsessed with his own reflection that as he knelt and gazed into a pool of water, he fell into the water and drowned. In some variations, he died of starvation and thirst from sitting by the edge of the pool, transfixed by his own reflection. In both versions, the Narcissus plant sprang from where he died. Pliny wrote that the plant was named instead for its narcotic properties (ναρκάω narkao, "I grow numb" in Greek).
There are several plurals in common use: "Narcissuses", "Narcissi", and "Narcissus". This last is common in American English but is very rare in British usage. The American Webster's Third New International Dictionary gives plurals in the order "Narcissus", "Narcissuses", and "Narcissi", but the British Compact Oxford English Dictionary lists just "Narcissi" and "Narcissuses".
The name Daffodil is derived from an earlier "Affodell", a variant of Asphodel. The reason for the introduction of the initial "d" is not known, although a probable source is an etymological merging from the Dutch article "de," as in "De affodil." From at least the 16th century, "Daffadown Dilly", "daffadown dilly", and "daffydowndilly" have appeared as playful synonyms of the name.
Read more about this topic: Narcissus (plant)
Famous quotes containing the word names:
“You shall see men you never heard of before, whose names you don’t know,... and many other wild and noble sights before night, such as they who sit in parlors never dream of.”
—Henry David Thoreau (1817–1862)
“A knowledge that people live close by is,
I think, enough. And even if only first names are ever exchanged
The people who own them seem rock-true and marvelously self-sufficient.”
—John Ashbery (b. 1927)
“In a time of confusion and rapid change like the present, when terms are continually turning inside out and the names of things hardly keep their meaning from day to day, it’s not possible to write two honest paragraphs without stopping to take crossbearings on every one of the abstractions that were so well ranged in ornate marble niches in the minds of our fathers.”
—John Dos Passos (1896–1970)