Career
After she released her first single on 8 November 1995, she released three more singles, and then her first full album Red in 1996, which sold more than two million copies in its first month. That album won her an invitation to perform on Kōhaku Uta Gassen, a New Year's Eve singing contest between male and female teams of popular singers sponsored by NHK (one of Japan's television networks).
Since then, she has released about one album each year, plus an average of three mini- or maxi-singles. Her second album, Paradox, was released in July 1997, selling 1.8 million copies, coinciding with her first concert tour Live Emotion '97 (consisting of 20 concert dates, and attracting a total of 65,000 fans, according to Avex).
July 1998 saw her third album Crimson, and another concert tour with over 40 concert dates. Her 1999 release, I.D. was a compilation album, but it debuted at number one on the rock chart, her fourth consecutive album to be released at the number one slot.
Some music-journalists said that a large part of her fan base, during the 1990s, was the Bōsōzoku (motorcycle gang) youthes especially those in the western areas of Japan.
In 2001, she also released a 'mini-album' (sometime between a full album and a single) with only 7 tracks called the Last Quarter of uncharacteristically soft ballad-style music, recorded during her later months of pregnancy.
It was not until 2003 that she released another album, another compilation, called ID: 2.
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"China Rose" (1999)
You can download the clip or download a player to play the clip in your browser. 30 second sample of Nanase Aikawa's song "China Rose" from her album,"Foxtrot". Read more about this topic: Nanase Aikawa Famous quotes containing the word career:““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.” “I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.” “Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.” |