Influence
Early in her career, Amuro's music consisted of mostly dance/pop songs, typical of her then-producer Tetsuya Komuro. In later years, however, Amuro began incorporating elements of R&B and hip-hop; producer Dallas Austin as well as Amuro's involvement in Avex's Suite Chic project were pivotal in her musical evolution. By her albums Style and Queen of Hip-Pop, Amuro had moved away from dance music and focused mainly on hip-hop and R&B tunes.
At the height of her popularity, Amuro was known as a fashion leader in Japan; her style, which included mini-skirts and platform boots started the "Amuraa" craze in Japan, in which girls across Japan copied aspects of Amuro's look, including her clothes, tanned skin, hair, and "pencil thin eyebrows". Also among the fads that Amuro popularized were body wire (nylon accessories that resemble tattoos), baggy socks, and skin-baring clothes. Additionally, Amuro is often credited with starting the Ganguro trend, as it has its roots in "Amuraa". Amuro's "idol" status contributed to her prominence in the media in the mid-nineties; at one point, Amuro hosted her own television show in addition to promoting various products through commercials as well as appearing on a television show "almost every night".
Read more about this topic: Namie Amuro
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“Concord River is remarkable for the gentleness of its current, which is scarcely perceptible, and some have referred to its influence the proverbial moderation of the inhabitants of Concord, as exhibited in the Revolution, and on later occasions.”
—Henry David Thoreau (1817–1862)
“I am not sure but I should betake myself in extremities to the liberal divinities of Greece, rather than to my country’s God. Jehovah, though with us he has acquired new attributes, is more absolute and unapproachable, but hardly more divine, than Jove. He is not so much of a gentleman, not so gracious and catholic, he does not exert so intimate and genial an influence on nature, as many a god of the Greeks.”
—Henry David Thoreau (1817–1862)
“I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way. But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.”
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