Symbols
The provincial seal shows the Phra Baromathat Chedi of the Wat Phra Mahathat Voramahavihan, one of the most important historical sites in southern Thailand. According to the city chronicle it was already built in 311, but archaeology dates it to the 13th century. The chedi is surrounded by the animals of the Chinese zodiac in the seal. The twelve animals represent the twelve Naksat cities or city-states which were tributary to the Nakhon Si Thammarat kingdom: the mouse of Saiburi; the ox of Pattani; the tiger of Kelantan; the rabbit of Pahang (actually a city in Pahang which is said to be submerged by a lake now); the nāga of Kedah; the snake of Phatthalung; the horse of Trang; the goat of Chumphon; the monkey of Bantaysamer (might be Chaiya, or a town in Krabi Province); the rooster of Sa-ulau (unidentified city, might be Songkhla, Kanchanadit or Pla Tha); the dog of Takua Pa and a pig of Kraburi.
The provincial flower is the Golden Shower Tree (Cassia fistula), and the provincial tree is Millettia atropurpurea.
The provincial slogan is เมืองประวัติศาสตร์ พระธาตุทองคำ ชื่นฉ่ำธรรมชาติ แร่ธาตุอุดม เครื่องถมสามกษัตริย์ มากวัดมากศิลป์ ครบสิ้นกุ้งปู, which translates to A historical town, the golden Phra That, plentiful minerals, three-metal nielloware, numerous temples, abundant shellfish.
Read more about this topic: Nakhon Si Thammarat Province
Famous quotes containing the word symbols:
“The twentieth-century artist who uses symbols is alienated because the system of symbols is a private one. After you have dealt with the symbols you are still private, you are still lonely, because you are not sure anyone will understand it except yourself. The ransom of privacy is that you are alone.”
—Louise Bourgeois (b. 1911)
“There are those who would keep us slipping back into the darkness of division, into the snake pit of racial hatred, of racial antagonism and of support for symbols of the struggle to keep African-Americans in bondage.”
—Carol Moseley-Braun (b. 1947)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)