Culture
Main article: Culture of Nagorno-Karabakh"We Are Our Mountains" (Armenian: Մենք ենք մեր սարերը) by Sargis Baghdasaryan is a monument located in Stepanakert. The sculpture is widely regarded as a symbol of the de facto independent Republic of Nagorno-Karabakh. It is a large monument from tuff of an old Armenian man and woman hewn from rock, representing the mountain people of Karabagh. It is also known as "Tatik yev Papik" (Տատիկ և Պապիկ) in Eastern Armenian. The sculpture is featured prominently on Nagorno-Karabakh's coat of arms.
Artsakh State Museum is the historical museum of the Nagorno-Karabakh Republic. Located at 4 Sasunstsi David Street, in Stepanakert, the museum offers an assortment of ancient artifacts and Christian manuscripts. There's also more modern items, from the 19th century to World War II and from events of the Karabakh Independence War.
Karabakh has its own brand of popular music. As Karabakh question became a pan-Armenian question, Karabakh music was further promoted worldwide.
Also as a result of the Karabakh conflict, there has also been a series of nationalistic songs done by Karabakh artists as well as artists from Republic of Armenia and the Armenian diaspora to rally support for Karabakh independence movement accompanied by footage of Karabakh military campaigns. These can be found abundantly in popular online sites such as YouTube etc., with some lively pro and anti-Karabakh discussions that these videos almost always generate.
Read more about this topic: Nagorno-Karabakh Republic
Famous quotes containing the word culture:
“As the end of the century approaches, all our culture is like the culture of flies at the beginning of winter. Having lost their agility, dreamy and demented, they turn slowly about the window in the first icy mists of morning. They give themselves a last wash and brush-up, their ocellated eyes roll, and they fall down the curtains.”
—Jean Baudrillard (b. 1929)
“No race has the last word on culture and on civilization. You do not know what the black man is capable of; you do not know what he is thinking and therefore you do not know what the oppressed and suppressed Negro, by virtue of his condition and circumstance, may give to the world as a surprise.”
—Marcus Garvey (1887–1940)
“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)