The NAACP Image Award winners for Outstanding Gospel Artist:
| Year | Artist |
|---|---|
| 1997 | Whitney Houston and the Georgia Mass Choir (for The Preacher's Wife Soundtrack) |
| 1998 | God's Property |
| 1999 | Kirk Franklin |
| 2000 | Vickie Winans (Traditional); Yolanda Adams (Contemporary) |
| 2001 | Aaron Neville (Traditional); Yolanda Adams (Contemporary) |
| 2002 | Shirley Caesar (Traditional); Yolanda Adams (Contemporary) |
| 2003 | Kirk Franklin |
| 2004 | Donnie McClurkin |
| 2005 | Ben Harper and The Blind Boys of Alabama |
| 2006 | Yolanda Adams |
| 2009 | Mary Mary |
| 2006 | BeBe & CeCe Winans |
|
Famous quotes containing the words image, award, outstanding, gospel and/or artist:
“O comfort-killing night, image of hell,
Dim register and notary of shame,
Black stage for tragedies and murders fell,
Vast sin-concealing chaos, nurse of blame!”
—William Shakespeare (1564–1616)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“Both Socrates and Jesus were outstanding teachers; both of them urged and practiced great simplicity of life; both were regarded as traitors to the religion of their community; neither of them wrote anything; both of them were executed; and both have become the subject of traditions that are difficult or impossible to harmonize.”
—Jaroslav Pelikan (b. 1932)
“The drama’s altar isn’t on the stage: it is candle-sticked and flowered in the box office. There is the gold, though there be no frankincense or myrrh; and the gospel for the day always The Play will Run for a Year. The Dove of Inspiration, of the desire for inspiration, has flown away from it; and on it’s roof, now, the commonplace crow caws candidly.”
—Sean O’Casey (1884–1964)
“Well then! Wagner was a revolutionary—he fled the Germans.... As an artist one has no home in Europe outside Paris: the délicatesse in all five artistic senses that is presupposed by Wagner’s art, the fingers for nuances, the psychological morbidity are found only in Paris. Nowhere else is this passion in questions of form to be found, this seriousness in mise en scène—which is Parisian seriousness par excellence.”
—Friedrich Nietzsche (1844–1900)