The NAACP Image Award winners for Outstanding Gospel Artist:
| Year | Artist |
|---|---|
| 1997 | Whitney Houston and the Georgia Mass Choir (for The Preacher's Wife Soundtrack) |
| 1998 | God's Property |
| 1999 | Kirk Franklin |
| 2000 | Vickie Winans (Traditional); Yolanda Adams (Contemporary) |
| 2001 | Aaron Neville (Traditional); Yolanda Adams (Contemporary) |
| 2002 | Shirley Caesar (Traditional); Yolanda Adams (Contemporary) |
| 2003 | Kirk Franklin |
| 2004 | Donnie McClurkin |
| 2005 | Ben Harper and The Blind Boys of Alabama |
| 2006 | Yolanda Adams |
| 2009 | Mary Mary |
| 2006 | BeBe & CeCe Winans |
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Famous quotes containing the words image, award, outstanding, gospel and/or artist:
“Lear. Thou hast seen a farmer’s dog bark at a beggar?
Gloucester. Ay, sir.
Lear. And the creature run from the cur? There thou mightst behold the great image of authority: a dog’s obeyed in office.”
—William Shakespeare (1564–1616)
“The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.”
—Robert Graves (1895–1985)
“The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.”
—Ilka Chase (1905–1978)
“Resorts advertised for waitresses, specifying that they “must appear in short clothes or no engagement.” Below a Gospel Guide column headed, “Where our Local Divines Will Hang Out Tomorrow,” was an account of spirited gun play at the Bon Ton. In Jeff Winney’s California Concert Hall, patrons “bucked the tiger” under the watchful eye of Kitty Crawhurst, popular “lady” gambler.”
—Administration in the State of Colo, U.S. public relief program (1935-1943)
“The difference between Pound and Whitman is not between the democrat who in deep distress could look hopefully toward the future and the fascist madly in love with the past. It is that between the woodsman and the woodcarver. It is that between the mystic harking back to his vision and the artist whose first allegiance is to his craft, and so to the reality it presents.”
—Babette Deutsch (1895–1982)