Mysterious Skin - Reception

Reception

The film received generally positive critical acclaim, with an 84% "fresh" rating on Rotten Tomatoes. Roger Ebert gave Mysterious Skin 3.5 out of a possible 4 stars, describing it as "at once the most harrowing and, strangely, the most touching film I have seen about child abuse".

According to psychologist Richard Gartner, the novel Mysterious Skin is an uncommonly accurate portrayal of the long-term effect of child sexual abuse on boys.

The film was the subject of some controversy in Australia, where the Australian Family Association requested a review of its classification, seeking to have the film outlawed due to its depiction of pedophilia. They suggested that the film could be used by pedophiles for sexual gratification or to help them groom children for sexual abuse. The six-member Classification Review Board voted four-to-two in favour of maintaining an R18+ rating. The controversy is referenced in a review excerpt from The Sydney Morning Herald on the Region 4 DVD that reads: "How anyone could have wanted it banned is beyond me"; film critic Margaret Pomeranz expressed that the film does more for the case against pedophilia, stating: "People who do indulge in crimes like that, if they saw this film they would understand the damage that they do."

Read more about this topic:  Mysterious Skin

Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)