Exhibition
Another major attraction during Dasara is the Dasara exhibition which is held in the exhibition grounds opposite to the Mysore Palace. The exhibition was started by the Maharaja of Mysore Chamaraja Wodeyar X in 1880 with the sole aim of introducing timely developments to the people of Mysore. The task of holding the exhibition is now entrusted with the Karnataka Exhibition Authority (KEA). This exhibition starts during Dasara and goes on till December. Various stalls which sell items like clothes, plastic items, kitchenware, cosmetics and eatables are set up and they attract a significant number of people. A play area containing attractions like Ferris wheel is also present to provide entertainment to the people. Various Governmental agencies setup stalls to signify the achievements and projects that they have undertaken.
In the year 1981 Karnataka Exhibition Authority was constituted to organise the exhibition besides looking into the proposed construction of Karnataka Kalamandira, Vishwa Kannada Sammelana guest house and shopping complex. The construction of afore said buildings were completed in 1985 and were handed over to Kannada and Culture Department and PWD Department respectively following the government order on April 1, 1989. The task of conducting Dasara exhibition was entrusted to Karnataka Exhibition Authority in 1987. From 1987 to 1993 the exhibition was conducted under the banner of Information, Tourism and Youth Affairs Departments, and from 1994 to 2003 under the banner of Kannada and Culture, Information and Tourism Departments.
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Famous quotes containing the word exhibition:
“The hardiest skeptic who has seen a horse broken, a pointer trained, or has visited a menagerie or the exhibition of the Industrious Fleas, will not deny the validity of education. “A boy,” says Plato, “is the most vicious of all beasts;” and in the same spirit the old English poet Gascoigne says, “A boy is better unborn than untaught.””
—Ralph Waldo Emerson (1803–1882)
“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
—Northrop Frye (1912–1991)
“A man’s thinking goes on within his consciousness in a seclusion in comparison with which any physical seclusion is an exhibition to public view.”
—Ludwig Wittgenstein (1889–1951)