Recording and Song Info
The album was made during The Who's early "Maximum R&B" period and features covers of popular R&B tunes, in addition to the R&B leanings of the tracks written by the band's guitarist Pete Townshend.
According to the booklet in the Deluxe Edition, "I'm a Man" was eliminated from the US release due to its sexual content. The US album also used the edited UK single version of "The Kids Are Alright", which cut a brief instrumental section laden with manic drum rolls and guitar feedback before the final verse.
Many of the songs on the album saw release as singles. Aside from "My Generation", which preceded the album's release and reached #2 on the UK Singles Chart, "A Legal Matter", "La-La-La Lies", and "The Kids Are Alright" were also released as domestic singles by Brunswick after the band had started releasing new material on the Reaction label in 1966. As they were not promoted by the band, they were not as commercially successful as "My Generation" or the Reaction singles. "The Kids Are Alright" was however a top 10 single in Sweden, peaking at #8.
"My Generation" and "The Kids Are Alright" in particular remain two of the group's most-covered songs; while "My Generation" is a raw, aggressive number that presaged the heavy metal and punk rock movements, "The Kids Are Alright" is a more sophisticated pop number, with chiming guitars, three-part harmonies, and a lilting vocal melody, though still retaining the driving rhythm of other Who songs of the period. The album is considered an important forerunner of the "power pop" movement. "Circles" was notably covered by contemporaries of the group, British freakbeat outfit Les Fleur de Lys. The cover version has found some notice after its inclusion on Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964-1969.
Read more about this topic: My Generation (album)
Famous quotes containing the words recording and/or song:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist’s relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist’s concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)