Use in North Indian Cultural and Artistic Activities
Mustard oil was once popular as a cooking oil in northern India. In the second half of the 20th century the popularity of mustard oil receded due to the availability of mass-produced vegetable oils. It is still intricately embedded in the culture:
- It is poured on both sides of the threshold when someone important comes home for the first time (e.g. a newly-wedded couple or a son or daughter when returning after a long absence, or succeeding in exams or an election.
- Used as traditional jaggo pot fuel in Punjabi weddings.
- Used as part of home-made cosmetics during mayian.
- Used as fuel for lighting earthen lamps (diyas) on festive occasions such as Diwali.
- Used in hair. Known to be extremely beneficial for hair growth.
- Used in instruments. The residue cake from the mustard oil pressing is mixed with sand, mustard oil and (sometimes) tar. The resulting sticky mixture is then smeared on the inside of Dholak and Dholki membranes to add weight (from underneath) to the bass membrane.This enables the typical Indian drum glissando sound, created by rubbing one's wrist over it. This is also known as a (Tel masala) Dholak Masala or oil syahi.
Read more about this topic: Mustard Oil
Famous quotes containing the words north, indian, cultural, artistic and/or activities:
“Only let the North exert as much moral influence over the South, as the South has exerted demoralizing influence over the North, and slavery would die amid the flame of Christian remonstrance, and faithful rebuke, and holy indignation.”
—Angelina Grimké (1805–1879)
“The white man’s mullein soon reigned in Indian corn-fields, and sweet-scented English grasses clothed the new soil. Where, then, could the red man set his foot?”
—Henry David Thoreau (1817–1862)
“The rumor of a great city goes out beyond its borders, to all the latitudes of the known earth. The city becomes an emblem in remote minds; apart from the tangible export of goods and men, it exerts its cultural instrumentality in a thousand phases.”
—In New York City, U.S. public relief program (1935-1943)
“If a man is a good lawyer, a good physician, a good engineer ... he may be a fool in every other capacity. But no deficiency or mistake of judgment is forgiven to a woman ... and should she fail anywhere, if she has any scientific attainment, or artistic faculty, instead of standing her interest as an excuse, it is censured as an aggravation and offence.”
—E.P.P., U.S. women’s magazine contributor. The Una, p. 28 ( February 1855)
“...I have never known a “movement” in the theater that did not work direct and serious harm. Indeed, I have sometimes felt that the very people associated with various “uplifting” activities in the theater are people who are astoundingly lacking in idealism.”
—Minnie Maddern Fiske (1865–1932)