Music
Many Muslims are very familiar to listening to music. Islamic music is Muslim religious music, as sung or played in public services or private devotions. The classic heartland of Islam is Arabia and the Middle East, North Africa and Egypt, Iran, Central Asia, and northern India and Pakistan. Because Islam is a multicultural religion, the musical expression of its adherents is diverse. The indigenous musical styles of these areas have shaped the devotional music enjoyed by contemporary Muslims:
- Arab classical music
- Religious music in Iran
- Hindustani classical music
- Qawwali music
The Seljuk Turks, a nomadic tribe that converted to Islam, conquered Anatolia (now Turkey), and held the Caliphate as the Ottoman Empire, also had a strong influence on Islamic music. See:
- Turkish classical music.
Sub-Saharan Africa, Indonesia, Malaysia, and the southern Philippines also have large Muslim populations, but these areas have had less influence than the heartland on the various traditions of Islamic music.
South India: Mappila Songs, Duff Muttu
All these regions were connected by trade long before the Islamic conquests of the 600s and later, and it is likely that musical styles traveled the same routes as trade goods. However, lacking recordings, we can only speculate as to the pre-Islamic music of these areas. Islam must have had a great influence on music, as it united vast areas under the first caliphs, and facilitated trade between distant lands. Certainly the Sufis, brotherhoods of Muslim mystics, spread their music far and wide.
Read more about this topic: Muslim Culture
Famous quotes containing the word music:
“But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop
Shouldered a litter with a wounded man,
Or smote upon the string and to the sound
Sang of the beast that gave the fatal wound.”
—William Butler Yeats (1865–1939)
“The music in my heart I bore,
Long after it was heard no more.”
—William Wordsworth (1770–1850)
“As if, as if, as if the disparate halves
Of things were waiting in a betrothal known
To none, awaiting espousal to the sound
Of right joining, a music of ideas, the burning
And breeding and bearing birth of harmony,
The final relation, the marriage of the rest.”
—Wallace Stevens (1879–1955)