Musical Analysis

Musical analysis is the attempt to answer the question how does this music work?. The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Ian Bent (Bent, 1987), analysis is "an approach and method can be traced back to the 1750s ... it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards." A.B. Marx was influential in formalising concepts about composition and music understanding towards the second half of the 19th century.

The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, “to explain by means of is to decompose, to mutilate the spirit of a work” (quoted in Bernard 1981, 1).

Read more about Musical Analysis:  Analyses, Techniques, Analytical Situations, Divergent Analyses

Famous quotes containing the words musical and/or analysis:

    Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.
    Stephanie Martson (20th century)

    Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.
    Thomas Mann (1875–1955)