Musical Analysis

Musical analysis is the attempt to answer the question how does this music work?. The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Ian Bent (Bent, 1987), analysis is "an approach and method can be traced back to the 1750s ... it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards." A.B. Marx was influential in formalising concepts about composition and music understanding towards the second half of the 19th century.

The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, “to explain by means of is to decompose, to mutilate the spirit of a work” (quoted in Bernard 1981, 1).

Read more about Musical Analysis:  Analyses, Techniques, Analytical Situations, Divergent Analyses

Famous quotes containing the words musical and/or analysis:

    A pregnant woman and her spouse dream of three babies—the perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.
    T. Berry Brazelton (20th century)

    The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.
    Henry Brooks Adams (1838–1918)